A Midsummer
Nightmare’s Daria
Text ©2008 The Angst Guy
(theangstguy@yahoo.com)
Feedback (good, bad, indifferent,
just want to bother me, whatever) is appreciated. Please write to:
theangstguy@yahoo.com
Synopsis: Quinn pulls a prank that causes Jake to think that
Daria has taken up demon worship, so he takes Daria to a weekend
father-daughter seminar to “bring her back to the light.” Add in a few former
classmates, romance, and an unexpected twist straight out of Stephen King’s
world, and a very strange summer weekend gets underway in Lawndale.
Author’s Notes: Portions of this cartoon script (now rewritten) originally appeared on www.fanfiction.net in chapter form. The entire story was collected 7/1/02 and posted on the Internet. Extensive notes and corrections from Galen “Lawndale Stalker” Hardesty were received within a week after that, but I was burnt out and did not add in his fixes until now. Sorry for the delay!
The events herein take place about one or two months after the Daria TV movie, Is It College Yet? during Daria’s last summer at home before she heads off to college in Boston. When the characters speak of Boston Fine Arts College, Jane’s alma mater-to-be, they usually use the acronym (BFAC) as a word, pronouncing it as “bee fak.” Also, Andrea’s name is pronounced “ahn DRAY ah” by those who know her.
Certain scenes marked as “Daria’s Daydreams” are fantasy scenes that take place in Daria’s imagination or unconscious mind. Certain other scenes labeled “Andrea’s Memory” show events that Andrea recalls from earlier in her life.
Script excerpts appear in this story,
taken from Dr. Strangelove, Or: How I
Learned to Stop Worrying and Love the Bomb (©1964 Columbia Pictures).
Lyrics from AC/DC’s “Highway to Hell”
also appear (©1979 J. Albert & Son (Pty) Ltd.)
Acknowledgements: My heartfelt gratitude goes out to beta-reader Robert Nowall, who
offered life-saving advice on revising the entire story and taking out the bad
parts. I am less of a bozo because of his superb work. Special thanks also to
Mike Xeno, who beta-read several sections of this tale and straightened me out
on the characters, making many suggestions that I stole on the spot. Thank you
both, thank you, thank you, thank you! As noted above, Galen Hardesty later
sent many pages of corrections and comments that have improved this story
considerably. I must also credit the following persons, as I steal from only
the best sources.
·
Mike Xeno, from
whose story “The Next Step” I unashamedly and without hesitation or moral qualm
stole the idea for having Jane work as a window dresser at Cashman’s over her
last summer before going to BFAC.
·
Kara Wild, who
provided inspiration in her story, “That Thing You Say,” for Quinn’s screwing
up of Jake’s platinum credit card while shopping; in her story, “Andrea
Speaks!” for a tidbit about Andrea’s potential family life; and, in her story
“Shipped Out!” for the bit about Daria’s class having to learn Othello
from Mr. O’Neill at Lawndale High. Apologies also to Kara, as I promised I
wouldn’t let anything bad happen to Quinn, but—oh, well.
·
barmor9292
(alt.tv.daria) for the idea about Andrea doing a webcomic. Cool.
·
Galen Hardesty,
who reminded me of a “medieval” comment that I added.
·
The wonderful
fanfic authors who are (I pray) good sports about involuntarily contributing
ideas from their “Daria” works to scene #52. Please don’t hurt me.
*
INT: Interior scene
EXT: Exterior scene
VO: Voice over (off screen)
* * *
THURSDAY EVENING
Part One: Children of the Lenses
(a.k.a., A Tale of Two Sisters, or, I Know
What You Did This Summer)
1. EXT: FOGGY EVENING, AN OLD CEMETERY IN LAWNDALE
Low mist clings to the ground in the graveyard, the
headstones and monuments peeking above the fog in the evening light. Daria
Morgendorffer, wearing a black, full-length robe, walks silently between the
rows of graves. Her head is bowed, and her hands, clasped before her, hold a
white rose. She slows to a stop before one large headstone, on which can be
seen the following inscription: Jane Lane / Death be not proud, though some
have called thee / Mighty and dreadful, for thou art not so . . . / Requiescat
in pace.
Daria drops to her knees on the ground before the
marker, wiping her eyes with one hand. With infinite care, she sets the white
rose upright against the gravestone, then lowers her head in prayer, eyes
closed.
Moments later, just to her right side, a skeletal
hand rises from the misty ground. It reaches for Daria’s right knee and
suddenly clamps down on it. Daria sits still for a moment more, then absently
reaches over with her right hand and pats the skeletal hand in a familiar way.
After a moment, she belches loudly.
DARIA: [eyes still closed] Excuse me. That was the
orange soda speaking.
JANE: [VO, nearby] Thanks loads, Carrie.
We pull back and see more of the cemetery—and Jane
Lane, stepping back from a video camera on a tripod, about twenty feet from
Daria.
DARIA: [surprised whisper] Jane? Is that you? What’s
it like on the other side?
JANE: [turns off camera] It’s sort of like Omaha,
only less exciting. I’ll have to edit out that burp.
DARIA: [opens eyes] Maybe you can turn it into a
wild scream of insane terror.
JANE: Not with that ho-hum look on your face. I’ll
just end with a freeze-frame of you holding hands with the dead me. That was
good enough.
Daria removes the skeletal hand from her knee, gets
up, and brushes her robes off. Jane walks over to Daria, reaches down, and
pulls a stone-colored plastic covering from the gravestone in front of Daria,
revealing an entirely different name and legend underneath on the real
headstone. Daria reaches down and picks up the skeletal hand, attached to a
motor mechanism with a battery.
DARIA: Instead of burping, I should have had you
pick my nose. [raises skeleton’s hand to her face]
JANE: [quickly takes skeletal hand from Daria] I’d
rather not explain the boogers to the costume rental shop, thank you very much.
They were paranoid enough about loaning this to me. Don’t want to endanger my
second job, no matter how much I hate it. I need all the money I can get right
now.
DARIA: You think this multimedia thing is going to
wow them into letting you get into BFAC early? I’ve never heard of anyone being
let into college a semester early at this late a date.
JANE: [putting skeletal hand in a small carrying
case] It can’t hurt. Maybe someone will change colleges or move to Australia or
something, and I’ll be next in line. I sure don’t want to hang around Lawndale
any longer than I have to, and I’d rather get into classes this fall than wait
until next spring. [straightens up] Besides, I wouldn’t want you to get lonely
in Boston with no one to annoy you on the weekends.
DARIA: [takes off the robes, wears her usual green
jacket and black skirt underneath] I can always call Quinn and put her on
speakerphone.
JANE: Yeah, but that lacks a personal touch. Plus,
there’s the phone bill.
DARIA: She could call me instead.
JANE: Your parents would strangle her when the bill
arrived.
DARIA: [deadpan] Okay, so your point is . . .?
JANE: [sighs] C’mon. I need to get the camera back
to the rental shop before it closes, then get the tape developed and digitized.
This had better work. If I can’t convert this film to a digital file, my
project is massively screwed.
2. EXT: AT THIS MOMENT, SECLUDED SPOT NEAR OLD
CEMETERY
As Daria and Jane leave the cemetery, Quinn
Morgendorffer lowers a camera with a telephoto lens, watching them go. She
stands about a hundred yards from the other girls. Quinn looks as she always
does, though a pair of stylish sunglasses is pushed up over her forehead. Her
quizzical expression also reflects a bit of revulsion.
QUINN: [to herself] Jane must be making a horror
movie. Eeewwww. Wouldn’t get me to run around in a cemetery, especially not
wearing those dork-alert graduation robes with no trim or belt or necklaces or
anything. Gold would have been nice with her autumn complexion. Maybe copper
with some jade. [sniffs] If anyone saw me wearing that nerdy get-up, they’d
think I was . . . I was . . . [long pause] Huh.
Deep in thought, Quinn watches Daria and Jane walk
out of sight.
QUINN: [to herself] If she was me, and I was her . .
. what would Daria do? [pause, frowns] If one of us felt the other really
deserved it.
A wicked grin crosses Quinn’s lips. She quickly puts
her camera into its shoulder-strap carrying case and walks back to her car, the
Morgendorffer’s SUV, parked nearby.
QUINN: [cheery] Quickie Photo, here I come.
* * *
FRIDAY MORNING
Part Two: Saving Private
Morgendorffer
(a.k.a.: Looking for Mister
Good-dad, or, Something Quinn Did This Way Comes)
3. INT: EARLY MORNING, KITCHEN, MORGENDORFFER HOME
Jake and Helen Morgendorffer sit at the table,
having breakfast before leaving for work. Jake reads his newspaper while Helen
reads a thick legal brief. They are content in their separate worlds. Quinn
(not a morning person, even in summer) walks into the kitchen in her bathrobe
and bedclothes, a small packet in hand, and looks in the refrigerator.
JAKE: [brief look up from paper] ‘Morning, kiddo!
TGIF! Get your nature photos developed from last night’s expedition?
QUINN: [head stuck in refrigerator] Landscaping
photos, Daddy. My friends and I are discussing homes now, not so much actual
people-fashions anymore. We have to open up new horizons and all that.
JAKE: [head in newspaper] Landscaping, good stuff.
Garden gnomes, concrete deer, those wooden birds with the whirling wings that
go in different directions—God knows how they managed to do that. Science!
[shakes head at paper]
QUINN: Whatever. [exits refrigerator with several
items in her arms, sets them on kitchen table] Is this the diet egg salad?
Good. Anyway, I got pictures of something else. Something you won’t believe.
HELEN: [focused on legal brief] That’s wonderful,
dear.
QUINN: [assembling her brunch] I saw Daria when I
was out last night.
JAKE: [to newspaper] Um-hmm.
QUINN: She was in a graveyard.
HELEN: [underlines something in legal brief] That’s
nice.
QUINN: She was wearing black robes and doing some
kind of cult thing, I think. Sacrificing baby animals to demons or something.
It was hard to tell.
JAKE: [turns page] Mmm-hmm.
QUINN: [opens packet, takes out several photos,
tosses them on the table between her parents] There she is.
Quinn picks up her glass of milk and waits
patiently. After a pause, Helen and Jake look up from their reading, eye the
photos for a second, then go back to their reading with a smile. They do a
panicked double take one-half second later. Both of them jump to their feet,
banging into the table and upsetting their coffee and cereal, and they stare
down at Quinn’s photos in undiluted horror. Quinn calmly puts her milk down on
the table again.
BOTH HELEN AND JAKE: [shouting] Daria!
JAKE: Oh, my God!
With a bland look, Quinn spoons diet egg salad onto
a slice of bread.
HELEN: [hysterical] This is all my fault! She’s
probably cried out for help a thousand times, and I put her on call waiting!
JAKE: [looks up angrily, shakes fist at ceiling]
This is all your fault, Dad! You robbed me of a happy childhood and destroyed
my potential as a parent! I hope you’re happy, you rotten bastard!
QUINN: Hey, do we have any of those low-fat potato
chips? You know, the ruffly ones?
JAKE: We have to do something before she starts
mutilating horses and leaving little stick figures outside camping tents! But
what, oh God, what?
HELEN: [hands pressed to the sides of her head] I
should look in the phone book under “deprogrammers.” Maybe there’s one with
weekend rates.
QUINN: [looks around kitchen] I was sure we had some
low-fat chips around here. [gets up to look in cabinets]
JAKE: [looks down at newspaper he dropped on the
table] Wait! Helen, look at this! A father-daughter togetherness seminar starts
tonight at the Lawndale Plaza Hotel! The “Lawndale Princesses Weekend”! I still
have a chance to bring Daria back into the light before she goes to college!
Thank God! [shakes fist at ceiling] Screw you, old man! You’ll never ruin my
kids the way you ruined me!
HELEN: [glancing at Quinn, loud whisper to Jake]
Dear, maybe you should take Quinn, too, in case—
QUINN: [whirls, startled] No! Wait! Mom, Dad, I’m
fine! Cemeteries are so yucky and gross, how could you think I’d go there? If
Daria needs help, you should, like, focus your energies entirely on her, right?
JAKE: You’re right. Damn it! How could evil like
this creep into our own home, right under our noses? What the hell’s the FBI
doing all day, anyway? Where are my tax dollars going? Lousy federal
government!
QUINN: [thoughtful] You know, of course, it will be
like horribly lonely for me this weekend, with Daddy gone and Mom at work and
Daria getting all that attention and everything, and probably dinners out, and
like maybe souvenirs and clothes and magazines and—
HELEN: [hardly paying attention] Of course, dear.
[reaches for pocketbook on the table]
JAKE: [still stunned] Certainly. [reaches into
pocket for wallet]
QUINN: [voice quavering and faint] I just don’t want
to feel like I’m second best and maybe have to go kill goats or wear black or
whatever it is that depressed Satanists do to feel better, you know?
Helen and Jake blindly hand Quinn wads of cash. She
takes it all and stuffs it in her bathrobe pockets.
QUINN: [joyful] Thank you! I knew you really cared!
[goes back to looking in cabinets]
JAKE: [whispers] We’ll have to talk to Daria right
away.
HELEN: [whispers] I think she’s still asleep!
JAKE: [louder] Or is she? She could be communing
with infernal powers this very second! [shakes fist angrily at ceiling] You
wouldn’t get me out of military school, but I’m pulling my daughter out of your
dark academy of sin, Generalissimo Dad-zilla!
Helen and Jake rush from the kitchen. Alone, Quinn
pulls a large sack of potato chips from the cabinet.
QUINN: Here we go. [reads lettering on bag closely]
No-fat ruffly chips, with . . . ole . . . olestra. Yup. “No fat” is where it’s
at.
Quinn returns to her seat and opens the bag.
QUINN: [pouring chips on her plate] This will settle
accounts for the rude little tale that you wrote about me on the Internet.
[takes bite of a chip, smiles in contentment] Dear sister of mine . . . you
taught me so well.
4. INT: TWO MINUTES LATER, DARIA’S BEDROOM, MORGENDORFFER HOME
A long shape about the size of a teenage girl lies
under a sheet in Daria’s bed. Her room looks much as shown in The Daria
Diaries, only with more stuff: a computer at a small work station and large
book shelves (jammed with books) on the wall by her door (with a Kafka poster),
and other items named below. A VCR unit rests under a television set on a
mobile cart.
A knock is heard from the door. The lump under the
sheets doesn’t move. The knock repeats and gets louder. No movement. The
doorknob twists, but it is locked. After a moment, the doorknob rattles, the
lock in the knob pops out, and the door opens quietly. Helen peeks in,
pocketing a bent-up paperclip.
HELEN: [softly] Daria? Are you awake?
DARIA: [under sheet, muffled] No. [low voice] Forgot
the deadbolt again. Damn it.
HELEN: [enters room with Jake right behind her,
sweetly] How are you doing this morning?
DARIA: [under the sheet, muffled] Mom, I promise to
e-mail a complete report to you in a couple hours. Can I get back to my
research now?
Helen turns and motions to Jake to go around Daria’s
room. He nods quickly and starting looking around, obviously searching for
something, picking up things and sometimes stepping on or tripping over them.
Aside from furniture and padded walls, Daria’s room
currently contains: realistic replicas of human bones and skulls on the center
carpet; a large wall poster of a partially unearthed human skeleton; another
large wall poster showing the different levels of Dante’s Inferno, showing
graphic depictions of the sufferings of the damned, with many small yellow
sticky-pad notes stuck all over it on which are written the names of many
currently famous people; a microscope on the floor with slides labeled “E.
coli” and “E. coli mutations w/ radiation”; videos with titles like Horrifying
Spectacular Disasters Caught Live on Video: Volume XXIV, Cannibal Rituals
Revealed! and Alien Autopsy: The Director’s Cut; a print-out of a
friendly e-mail sent to Daria by Rhonda, an axe-murderess (who appears to know
Daria quite well), writing from a place called Kinsington Prison; an incomplete
short story entitled, “Why I’m Not Sorry That I Made the Sun Go Nova”; books
with titles like When Bad Things Happen to People Who Deserve It, Barbaric
Practices Everyone Can Enjoy, and A Layman’s Guide to Soviet
Thermonuclear Weapons; and plastic models of a human heart, a B-2 Stealth
bomber, and a Visible Woman with most of its internal organs scattered around
its feet. A small plastic rat sits in the Visible Woman’s empty abdomen,
peering out.
Jake sees all of the above but ignores it, instead
looking for something else.
HELEN: [turns back to Daria, sweetly] What research
are you doing?
DARIA: [under the sheet, muffled] Controlled
nightmare generation. Oddly, it seems to be working even when I’m awake. Like
now, for instance.
HELEN: [distracted] That’s wonderful. We’re very
proud of you. [looks around room] Listen, your father and I have to hurry out
to work in a few moments, but we want to tell you about a special event that’s
going on tonight. You’re going away this fall, and, you know, we’re all going to
miss you, even Quinn, I’m sure, but your father . . . he, um—
Helen breaks off, seeing Jake gesture wildly at her.
He’s picked up a paperback book he found on the floor under a pile of Daria’s
used clothing: Stephen King’s Needful Things. A library’s Dewey decimal
tag is taped to the spine, but it falls off as Jake’s fingers bump against it.
Helen looks horrified to see the book.
DARIA: [under the sheet, muffled] What are you guys
doing?
HELEN: [hands covering mouth, her worst fears
confirmed] Uh, eh, ah—
Jake quickly gives the Stephen King book to Helen,
who hurries out of the room with it, holding it gingerly between thumb and
forefinger.
JAKE: [forced joviality] Kiddo, you’re in luck
tonight! We’re going to a once-in-a-lifetime event, just you and me!
DARIA: [under the sheet, muffled] Dad, I have plans
tonight. Jane needs my help on—
JAKE: But this is just the two of us, kiddo! You and
me! Daria and her dad! We’re going to a really great seminar over at the
Lawndale Plaza Hotel—
Daria pulls the sheet back from her face. She has no
glasses on, and her hair is a mess.
DARIA: [squinting at Jake] Dad, you didn’t join
Amway, did you?
JAKE: [nervous laugh] Ha! Always the kidder! That’s
why you’re such a great kid, you always—
DARIA: [flops back on bed, stares at ceiling] Oh,
damn it—you did join Amway.
JAKE: [still nervous] Oh, no, I didn’t, don’t worry
about that. Your old man is signing us both up for a weekend away at a
father-daughter seminar right here in Lawndale! It’s the “Lawndale Princesses
Weekend”! You and me, kiddo! Morgendorffer and Morgendorffer! We’re going to
renew our family bonds, be one with the Force, turn aside the powers of
darkness and evil—[coughs]—and have a wild time doing it! Whaddya say?
DARIA: [covers eyes with an arm] I’m sorry, I guess
Amway wasn’t so bad. Do I have to sell stuff, too?
JAKE: Ha, ha! Great! I’ll close the office early,
and we’ll head out to the hotel at five. Jake and his Lawndale Princess! I
can’t wait! [hurries out, closing door behind him]
DARIA: [pause, to self] I know I have sinned, and I
do regret it, except maybe for the fun parts, and anything involving Quinn, so
that’s, what, about ninety percent of my sins—but as divine punishments go for
the other ten percent, this one is really way out of—
JAKE: [opens door again, pokes head inside] My
oldest Lawndale Princess, of course. You, I mean. Quinn would be my youngest
Lawndale Princess. I wasn’t implying—
DARIA: [deadpan] I have to shower and change, Dad.
JAKE: [panicked] Bye! [shuts door]
Daria lies still for a few moments, groans, then
rolls over and pulls the sheet over her head again.
5. EXT: A SHORT WHILE LATER, BACK YARD,
MORGENDORFFER HOME
Helen and Jake have set up the barbecue grill by the
back door, and Jack is pouring lighter fluid over the Stephen King book. Helen
holds a book of matches.
JAKE: [very stressed] I bet this is what turned her
soul to demon worship! Damn Stephen King! Let’s see how a paperback about Satan
working in small-town retail holds up against the fires of righteousness!
[stops pouring lighter fluid, to Helen] Do you think we should we hire an
exorcist?
HELEN: No time! [lights match, throws it on book,
which burns merrily] Back to Hell!
JAKE: [looks up, shakes fist at the sky with grim
delight] I win, Dad! Her soul is free! Go pedal your perverted papers in some
other suburb!
6. INT: SAME MOMENT, KITCHEN, MORGENDORFFER HOME
Quinn looks out the window in disbelief, watching
her mother and father burn a paperback book on the backyard grill. Helen and
Jake jump up and down, arms raised, cheering as the book turns to ash.
QUINN: [low voice] I wish to God they’d never taken
drugs in the Sixties.
With a sad sigh, she turns to go. Quinn is still in
her bathrobe and nightclothes, and she holds the “No Fat” potato-chip bag she
was eating from earlier. She shakes the bag, notices that it is empty, and
drops it into the kitchen wastebasket. She then looks in the cabinet, gets
another sack (sour cream and onion), and walks off elsewhere in the house.
7. INT: TWO HOURS LATER, DARIA’S BEDROOM, MORGENDORFFER HOME
On one side of a split screen, Daria sits on her
bed, talking on the phone. She’s dressed in her usual clothing, glasses on,
drying her damp hair with a towel. On the other side of the screen, Jane sits
in her room, phone on her shoulder, flipping through the pages of a manual: Advanced
Photo/Video Digitization for Idiots.
DARIA: On top of all that, I can’t find this Stephen
King book that’s due back at the library today. I thought I left it in my room,
but it’s gone. That caps off my Friday, and it’s barely even started yet.
JANE: [looks up from manual] Well, there are worse
things than being taken to an all-expenses-paid father-daughter togetherness
weekend at a posh hotel.
DARIA: Name one.
JANE: [slow intake of breath] Not being taken.
DARIA: [pause] Oh.
JANE: You know what I would give to—oh, forget it.
Sorry I said it. Listen, just go and be thankful your dad gives a damn. Some
don’t. Good thing I’m not bitter.
DARIA: Maybe Trent could take you.
JANE: Nah, he’d never let me gray his hair. And I
have to do window dressings at Cashman’s tonight and tomorrow night. And we
don’t have any money left anyway. On top of that, I’m still having trouble with
this stupid project. [flips book shut] I do wish you were here to help. I don’t
know squat about computers, except that they’re all evil.
DARIA: Mind if I call now and then?
JANE: Call me whenever you want, as often as you
want, as long as you want. I’ll need the breaks, along with any computer advice
you can spare.
DARIA: Done. Good luck.
JANE: Yeah. I could use that.
DARIA: Bye.
JANE: Bye.
They hang up. The split screen turns into a single
screen, showing Jane sitting at her desk. She puts an elbow on the computer
workstation next to her and covers her face with that hand, looking tired and a
little depressed.
JANE: [to self, glum] Father-daughter weekend.
[sigh] Daria, you are so damn lucky.
8. INT: A SHORT WHILE LATER, KITCHEN, MORGENDORFFER
HOME
Daria enters the kitchen to make breakfast for
herself. She finds a note on the refrigerator: Daria—Do not eat the fat-free
chips! There are only enough for me! Just eat the fat chips and other stuff.
Thanks! Quinn.
DARIA: [deadpan] Always looking out for me.
Daria drops the note in the trashcan, then goes to
the sink to get a glass of water. She looks out the window as she does, and
frowns. She can see the grill out in the back yard, with a book-sized pile of
black ash on it. She shrugs and looks in the refrigerator, pulling out the
orange juice. The phone rings, and she picks it up while pouring herself a
glass. The following conversation starts in three-way split-screen, between
Daria in the kitchen, Quinn in her room upstairs (eating potato chips), and
Helen at her legal office.
DARIA: Morgendorffers.
QUINN: I’ve got the phone! Hang up, Daria!
HELEN: Quinn, I called to talk to Daria. You hang
up.
QUINN: Muuuh-ooom! I’m expecting a very important—
HELEN: Now.
QUINN: Oh, all right. Five minutes. [hangs up,
disappears from split screen]
DARIA: [putting orange juice away] I think we’re
alone now.
HELEN: Daria, listen. Your father’s picking you up
at five tonight. You and he each have a small suitcase for the weekend, so pack
light. No “Family Court” tonight, of course.
DARIA: [deadpan] Out of idle curiosity, am I being
punished for something bad I did?
HELEN: [caught off guard] Ah, eh, no, dear, of
course not. Whatever gave you that silly idea?
DARIA: You and Dad are sending me away without
warning or explanation to a father-daughter bonding seminar designed to make me
a better person—but Quinn’s not going with us.
HELEN: Oh, Daria, we’ve nothing to hide! We, uh, um,
just thought it, uh, would be nice for you and your dad to, um, you know, get
out and bond, and, uh, talk about, um, what you’ve been doing lately, where
you’ve been, anything that you might want to tell us that could be important
later in a legal, moral, or spiritual sense, before it gets into the newspapers
and all over town, that sort of thing.
DARIA: I’m not having sex, Mom.
HELEN: [quickly] Oh, of course not! [laughs loudly
in relief] What a ridiculous idea!
DARIA: [really stung] Thanks a lot. [pause until
Helen stops laughing so hard] Spill it, Mom. What’s going on?
HELEN: [quickly] I’ll let Jake talk with you about
that. It’s his weekend—his and yours, I mean. He can talk about it. I’m swamped
here.
DARIA: Am I being sold to a child-labor factory in
Asia? Or is Quinn being sold? I can handle it if it’s Quinn.
HELEN: [peeved] Daria, your sense of humor is almost
demoni—[gasps]—I mean, it’s just awful. Behave
yourself, do what you have to do to get ready for the weekend, and don’t, uh,
do anything that, uh, the neighbors might take badly if they saw you do it in
public.
DARIA: [looking out the window at the grill] Like
animal sacrifices, you mean?
HELEN: [gasps] Daria! Please, no! Think of your
family! Wait, I’ve got another call coming in.
Helen punches a button on her cell phone and
vanishes from the split screen, leaving Daria only.
DARIA: Hey, before you go, have you seen my library
book? It was Stephen King’s . . . hello? Mom?
With a sigh, Daria hangs up the phone.
DARIA: [to self] I’m going to write a book about
this someday. Too bad that “Hell House” is already taken for a title.
9. INT: MID-AFTERNOON, JAKE’S CONSULTING BUSINESS
OFFICE
Looking nervous, Jake uses his business phone at his
desk. He holds the newspaper clipping about the father-daughter seminar. Beside
him on the desk is a pad of paper and a pencil.
JAKE: [reading article aloud] “Every father should
know the following things about his daughter. . . .” [anxious expression] I
better get a professional opinion. [dials phone]
The phone call (to Jane) is shown in split screen.
Jane is in her room at her family’s home, working on her desktop computer. The
monitor shows a still frame from the video movie Jane shot of Daria the night
before, with Daria kneeling on the grave in her black robes. The image,
however, is reversed out like a photonegative. Jane still has the manual on her
lap, with bookmarks stuck all through it.
JANE: [not looking away from the monitor] Trent?
Trent! The phone! Oh, forget it.
She picks up the handset on the ringing phone beside
her.
JANE: [to phone] Yo. Lanes.
JAKE: [shaky voice] Hi, Jake Morgendorffer. Is Jane
Lane in, please?
JANE: [frowns at computer monitor, taps keys]
Speaking. Hi, Mister Morgendorffer.
JAKE: Jane! Yeah, this is Daria’s dad. How’s it
going?
JANE: [taps a few more keys] Okay, I guess. Computer
troubles. What’s up?
JAKE: Great! Say, Jane, I’m taking Daria to a father-daughter
seminar at the Lawndale Plaza Hotel this weekend, but not because there’s
anything dreadfully wrong, you understand. It’s just that I want to talk with
her about her life and the direction she’s going and the directions she should
avoid, like turning to animal or human sacrifice or summoning demons or falling
under the spell of unspeakable evil or—
JANE: [leans back in her seat, still looking at
monitor] Everyone needs a hobby.
JAKE: A hobby? [panicked] Oh, my God! You’re saying
she’s—oh! I get it! [forced laugh] Anyway, I was just thinking that it would be
good to know a little more about her, and seeing as you’re Daria’s best friend,
if not her only—
JANE: [looks away from monitor to random spot in her
room] You know the rules. Maximum of three questions. No betrayals. Immunity
from prosecution.
JAKE: Right! [pause] Eh, what—[consults list]—does
your child—Daria, what does Daria think her strongest point is?
JANE: [frowns] Are you reading from something?
JAKE: [startled, drops list] What? Oh, no, of course
not! Ha, ha! What a kidder! No, I—
JANE: What does she think her strongest point is?
Her integrity.
JAKE: [confused] Her what? I thought it would be her
intelligence. She’s smarter than I am! She can—
JANE: It wouldn’t mean anything without integrity.
She really prides herself on that.
JAKE: [shrugs, writes this down on notepad] Her . .
. do you spell that with an “e” or an “i” at the end?
JANE: I-n-t-e-g-r-i-t-y. Third question?
JAKE: Third? I’ve asked only one!
JANE: You also asked how to spell “integrity.”
JAKE: [panicked] I’ll pay! Jane, I swear! I need
another question! Don’t make me beg!
JANE: Twenty bucks. I’ll be by this afternoon to
collect.
JAKE: Done! Yes! Okay, now, uh—[bends down to read
list on the floor]—what does y—Daria want to be when she grows up?
JANE: [incredulous] She IS grown up!
JAKE: I mean, when she gets out of college! What
does she want to do when she gets out of college? That kind of grown up!
JANE: Mmm, that’s hard to say, but she loves to
write. Whatever else she does, she’ll probably be a writer, too. She’s very
good at it.
JAKE: Writer. [pause to write this down] Okay,
great. I thought that might be it. We’re getting somewhere. Thank God. No more
animal sacrifi—[coughs to cover up] Yes, uh, my last
question is—
JANE: [startled, frowns] What did you say about
animal—
JAKE: [interrupts loudly, stooping to read list on
floor again] What is Daria’s most cherished dream?
JANE: [hesitates] Her most cherished dream. Huh.
Lately, she’s talked a lot about restarting the Inquisition under a new set of
guidelines, but I’d have to say—
JAKE: Inquisition. Inquis—damn
it, I’ll have to look that up.
JANE: No, don’t bother. Listen, she and I talk about
this a lot. Daria wants everyone to be honest. A lot of things bug her, but
what bugs her most is when people aren’t honest with themselves or with others.
That drives her crazy.
JAKE: [look of disbelief] Are you sure? Being
honest? Well, I guess I can see that. It does sound sort of strange—well, not
really strange, like summoning the undead, but—anyway, I mean—
JANE: Look, you remember a few months ago when she
crawled in that refrigerator carton and wouldn’t come out until you told her
about the fight you and your wife had when Daria was little? The fight about
why Daria was so different from other kids?
JAKE: [stunned] She told you about that?
JANE: Well, of course she did! I’m her best friend.
That’s why you’re calling me to find out what’s she’s like instead of asking
her yourself.
JAKE: [pause, chastened] Um, oh. Yeah.
JANE: Once you were honest with her about what
really happened, she was fine, right? That’s all you had to do. If you lie to
her or deny something really happened, she goes ballistic. She wants people to
be honest. She’s smart enough to know when people are lying or covering up.
Lots of things annoy her, but nothing burns her like dishonesty. It goes with
that integrity thing.
JAKE: [silent for a moment] Um, okay. That was
three. I’ll have the twenty ready when—
JANE: Wait a sec. Mister Morgendorffer, I’ll be
honest with you, too. When we started this three-questions thing, I fully
expected you’d ask me something like, oh, what’s Daria weigh, or what’s her
favorite food, or something like that. Don’t take this the wrong way, but what
you asked was really different. It showed me that you really care about her. It
goes against all my principals, but forget about the twenty. Keep it. Spend it
on Daria instead at the seminar this weekend. Do that, and we’ll be even.
JAKE: [face brightens, relieved] Uh, okay. I will.
Thanks, Jane! You’ve been a big help!
JANE: Great. Now, I have a question for you. What’s
all this stuff you were saying about animal sacrifices and summoning the undead
and unspeakable—
JAKE: [panicked] Gottacallontheotherlinebye!
[hangs up fast, vanishes from split screen]
JANE: [stares at handset in confusion] What the hell
. . .?
* * *
Part Three: Night of the
Living Dad
(a.k.a.: My Dinner with
Angry, or, The Good, the Bad, and the Upchuck)
10. INT: EARLY EVENING, LOBBY OF LAWNDALE PLAZA
HOTEL
Daria and Jake come into the lobby through the
revolving doors in front. Jake pulls two small wheeled suitcases behind him.
JAKE: [stops, happily looks around lobby for main
desk] Nice place! Hey, kiddo, there’s a long line at the desk, so have a seat
and I’ll get the room keys. Got us a two-bedroom suite with a kitchenette, two
bathrooms, a full refrigerator, and TVs in every room!
DARIA: [deadpan] Cable or satellite?
JAKE: Satellite! Six thousand channels! Nothing but
the best for my Lawndale Princess!
DARIA: [faint smile] Houston, we’re go for launch.
[smile fades] They still could’ve picked a better name for this outing than the
Princesses thing. Lawndale Bloodthirsty Medusas, maybe, or Lawndale Crazed Psycho
Chicks, or—
JAKE: [nervous, starts to leave] Ah, sure, great
ideas, kiddo! I better get those keys!
DARIA: No problem. I brought some light reading.
JAKE: Great! [heads off] Just hope they didn’t screw
anything up and put us in a broom closet. Man, I hate these overgrown
impersonal bureaucracies!
DARIA: [watches him go, softly] Which, of course, is
why you choose to work with them for a living.
Daria shrugs and looks around the lobby. She notices
that the main dining room for the hotel is actually a large section of the
lobby, surrounded by planters and potted trees and shrubs. Her attention is
caught by a sign that reads, “Weekender Special! Need a special getaway place
for someone special? Ask about our Friday-Monday Weekender Rates!” In small print
is: “Renter and all guests must be 18 or older. No refunds.”
DARIA: [to self] A no-tell hotel. Do tell. Anything
for a buck these days.
Seeing nothing else of interest, Daria then takes a
seat on a bench behind a row of decorative bushes and small trees. She is
completely blocked from view to anyone coming in the hotel’s main doors. She
pulls a paperback book (Best Short Slasher Fiction of the Twentieth Century)
from an inside pocket in her jacket and begins to read.
Behind her, Jodie Landon comes in through the main
revolving door. A moment later, “Mack” MacKenzie hurries across the lobby to
greet her, wearing his school jacket.
MACK: Hey! Glad you could make it! [reaches out to
hug her]
JODIE: [backpedals, holds up hand, face tense] Mack,
wait a minute.
Daria hears their voices and puts her book aside,
preparing to stand up and greet her friends.
MACK: I got the room. Just the two of us in our
secret love nest.
Eyes wide, Daria immediately sits down again,
scrunching up behind the shrubbery to avoid being seen.
JODIE: [soft but firm voice] Mack, listen to me. I
came down here only to talk to you, nothing else. I’m not very good at saying
things like this, so just listen to me. Okay?
MACK: What? Something come up? The room’s good for
the weekend, no refunds, and we’ve had this planned for—
JODIE: Mack, nothing’s come up that hasn’t come up a
hundred times already since graduation.
MACK: Jodie, what are you talking about? Look, we
can talk up in—
JODIE: No. I can’t stay.
MACK: What?
JODIE: It’s over, Mack.
Daria listens, frozen in place.
MACK: Jodie, honey, please—
JODIE: Listen to me! You and I are friends. We’ve
always been friends.
MACK: What? [loud whisper] We’ve been a lot more
than friends!
JODIE: Mack, please. We’ve shared so much, but we
always knew we were heading in different directions. Let me say this, please!
MACK: What are you talking about? We’re not going to
be that far apart, Jodie. Vance University’s only a day’s drive from Turner U!
We can still—
JODIE: It’s not that! [deep breath] I want to be
free. I’m so confused lately about what I want in life. When we graduated, I
thought I knew where I was going with everything, but I need some breathing
space. I’ve been thinking about the two of us for weeks now, and we—we aren’t
going down the same road, Mack. We’re not. [pause] I want to see what else life
has for me. We have to go our separate ways. It’s going to happen when we got
to college, and we may as well face it now. We never were meant for each other
for the rest of our lives. [pause] Mack, it’s over.
MACK: [gasps] Jodie!
JODIE: We’ve talked about this a hundred times! You
knew we weren’t going to be together forever! That was high school. This is
life!
MACK: [agonized] Jodie . . . I love you.
Daria closes her eyes and grimaces in sympathetic
pain.
MACK: After everything we’ve been through,
everything I’ve done for you, please—
JODIE: [upset, voice breaking] I have to go. I’m
sorry, but it’s over, Mack. I’ll always be your friend, but that’s . . . I have
to go.
MACK: But you said you were so lucky to have—wait!
Jodie!
JODIE: [leaving, verge of tears] Goodbye!
Jodie leaves quickly through the revolving door,
wiping her eyes as she goes. Mack stands in the lobby in shock. He takes a few
steps toward the door, looks out after Jodie, then steps back. His face is
blank with disbelief. His hands fall to his sides. Dazed, he slowly turns and
walks back across the lobby and out of sight.
Daria opens her eyes and sighs heavily, looking sad.
She picks up her paperback but cannot get interested in it.
Behind her, Brittany Taylor comes through the
revolving door. She wears the same yellow-and-blue outfit as always. She looks
around the lobby for someone. Moments later, Kevin Thompson (still wearing his
Lawndale High School football uniform) hurries across the lobby to her.
KEVIN: Hey, babe! Glad you could make it!
BRITTANY: [anxious, low voice] Kevvy, I don’t know
if this is really a good idea.
Hearing their voices, Daria gets a severely pained
look on her face. She tries to focus on her book, scrunching down in her seat.
KEVIN: I got a room for the two of us, babe. It’ll
be just like the old days.
BRITTANY: Wow, like, we never did it in a hotel.
Under the bleachers, in your car, in the locker room, in the janitor’s room, in
every closet in your house and every park in town, yeah, but never in a hotel.
Not a nice hotel like this one, anyway. Probably no crawly things in the sheets
here.
KEVIN: [wicked leer] Except for me, of course!
BRITTANY: Wait. Kevvy, listen to me.
KEVIN: We can talk later. Let’s let looove talk now. Let’s put Mister Gopher back inside his
happy burrow!
Daria flinches and scrunches down in her seat even
further, the paperback pressed right up to her face.
BRITTANY: [upset] Kevin, that’s just rude! Please
listen to me! Something about this isn’t right. We have to think about our
futures, you know?
KEVIN: Hey, I am thinking about our future. It’s on
the fifth floor in room five thirteen.
BRITTANY: I mean our big futures! Like, you
remember in class when they talked about that philosophy stuff, and it, like,
made my head hurt so much I had to take my PMS pills? That kind of future,
Kevvy.
KEVIN: Baby, look, it wasn’t my fault I didn’t
graduate. It’s the stupid teachers. They’re jealous of me. They’re jealous of
my athletic prow—prown—’cause I can throw a football,
and they suck at it. They’re jealous because I’ve got you!
BRITTANY: But Kevvy, I’m going away to Great Prairie
State in a couple months, and that’s a long way from here, even though on the
map it isn’t that far, only four inches, maybe. We’ll be apart for weeks and
weeks. [leans forward, low voice] Things can happen, you know?
KEVIN: [low, husky whisper] I’ve got four inches
that’ll take you all the way to paradise, babe.
Daria instantly puts her book aside and clamps both
hands tightly over her ears, eyes shut and teeth clenched.
BRITTANY: [looks around, whispers] Shhh! Not here,
Kevvy!
KEVIN: Please, baby. Look, we can have dinner or
something first and talk about it. They’ve got burgers and fries here on the
kids’ menu.
BRITTANY: [groans, weakening] Any pizza?
KEVIN: [grins in triumph] Bitchin’
pizza. Cheese, I think.
BRITTANY: [sighs] Well, maybe a little pizza would
be okay. So we can talk. We gotta talk, Kevvy.
KEVIN: [relieved] Great, baby! Then maybe for
dessert we can have some of that great Brittany pie!
BRITTANY: Kevin! [smacks him on the arm]
Kevin and Brittany leave. After a few moments, Daria
removes one hand, hears nothing more, and sits up again, opening her eyes and
sighing deeply. She sits for a moment, appearing exhausted, then reaches over
and picks up her book. She forces herself to read it, frowning hard.
Behind her, Andrea of the unknown last name (in her
usual Goth outfit) comes through the revolving doors. Hurrying across the
lobby, Charles Ruttheimer III (Upchuck) comes up to greet her, in his usual
school outfit.
UPCHUCK: [in peak form, takes Andrea in his arms]
Ah, my vampiric vixen, my queen of darkness, my Hoth-eyed beauty!
Daria jumps, startled to hear Upchuck right behind
her. Upchuck and Andrea kiss passionately until Andrea pulls back.
ANDREA: [pointing to her eye makeup] Horus. This is
the Eye of Horus.
UPCHUCK: Of course it is, my coal-haired queen of
the night! Glad you could make it! A grand suite waits us, my divine angel, my
perfect partner, my dark dominatrix! Oh, Andrea! Grrrrrr!
[buries face in Andrea’s shoulder, kissing her neck with great passion]
Daria drops her book on the floor. She sags in her
seat, head falling back, and stares at the lobby ceiling in disbelief.
ANDREA: [hugs him, but distracted] Charles, listen.
I think we should—
UPCHUCK: [husky whisper, kissing Andrea’s neck,
cheek, hair, and ear] I’ve waited endless eons for us to share this night of
madness together. Everything is in readiness for our journey into the Stygian
heart of passion, the silken touch of your mortal flesh against mine, together
. . . as . . . one.
Daria shivers in revulsion and wraps her arms around
her middle. She bends forward at the waist, head down between her spread knees,
as if seconds from being violently ill.
ANDREA: Charles . . . we need to talk, okay?
UPCHUCK: Not now, my mistress of the sacred and
profane arts! We have forever, the rest of our lives to talk. [lowers voice]
Now is the time for mighty deeds, not weakling words. The scent of you has
aroused me, and I must take you away from this mundane, lifeless world and lose
myself in your glory and splendor, or else perish, fade into oblivion, and be
no more. Grrrrrr! [buries his face in her neck again]
Still bent over, Daria grabs handfuls of her hair
with both hands and pulls as hard as she can, unable to tune out the
conversation.
ANDREA: [sighs, yields] Okay, okay. You win, Romeo.
You’ve got me.
UPCHUCK: [husky whisper] No, my precious one, my
midnight delight. You . . . have got . . . me!
Upchuck and Andrea leave, walking across the lobby
together toward the elevators. Daria remains bent over, her hands gripping her
hair.
DARIA: [very tense, low voice] If Tom comes in that
door, so help me God, I swear I’m going to—
Behind her, Jake Morgendorffer comes back from the
main desk with their suitcases, looking around anxiously.
JAKE: [turning in place] Daria?
DARIA: [jumps to her feet, turns, and yells, arms
waving desperately] Dad!
JAKE: [extreme startle reaction] Aaaugh!
[backs up and falls over his own suitcase]
11. INT: AN HOUR LATER, SEMINAR ROOM, LAWNDALE PLAZA
HOTEL
A large crowd of fathers and daughters are present
in a large meeting room in the hotel, seated and facing a speaker at a podium.
Most daughters are considerably younger than Daria, who is probably the oldest
daughter present; Daria notices all the elementary-school girls and sighs.
Vases of pink roses and bright flowers are everywhere along the sides of the room.
Some of the older girls’ faces in the room are familiar—Sandi, Stacy, Tiffany,
etc. Certain faces are not present (Jane, Quinn, Andrea, Brittany, Jodie).
Sandi Griffin and her father sit immediately behind
Daria and Jake, near the back of the room. (Stacy, Tiffany, and their fathers
are close by.) Sandi leans forward and taps Daria on the shoulder.
SANDI: [whispers] Where’s Quinn?
DARIA: [looks back, whispers] Probably shopping.
SANDI: [irritated whisper] How’d SHE get out of
this?
SANDI’S FATHER (TOM GRIFFIN): Shhh. He’s about to
start, sweetie!
Sandi subsides with a dark look on her face,
frowning at the speaker, a cheery bearded guy—the sort that’s probably a
wonderful dad in the best Walt Disney mold.
SANDI: [mumbles under her breath] Lucky little
bitch.
SPEAKER (BOB): Good evening, and welcome to, “Our
Daughters, Our Future: The Lawndale Princesses Weekend”! I’m Bob Bobinnelong, and we’re here to celebrate the bond between
father and daughter, to strength those ties that will propel the next generation
of women into the vast gulf of tomorrow with a fearless, confident leap!
DARIA: [murmurs to self, deadpan] With or without
the bungee cord?
SPEAKER (BOB): In your program packets, you will
find a questionnaire designed to help you fathers learn just how good—or
dreadful—a father you really are! A similar questionnaire for you daughters
will help you determine just how badly your dad has screwed up your life! Ha,
ha! [no one in the audience laughs, but the speaker doesn’t notice] Remember,
there’s almost always room for improvement, and it’s almost never too late to
make things better, or so we hope!
Jake, now looking quite anxious, goes through his
program packet until he finds the questionnaires; he hands the one labeled
“Daughters” to Daria. Daria glances at hers and puts it facedown in her lap.
Jake, however, begins to carefully read through his questionnaire while the
speaker drones on in the background about the importance of fathers in their
children’s lives. Jake gets a pen out of his shirt pocket and begins to answer
the questions, using the packet to support the questionnaire.
DARIA: [bored already, whispers] Dad, is there a
schedule of events for this train wreck?
JAKE: [whispers] Just a minute, kiddo. [finds
schedule sheet in packet, hands it to Daria] Here you go.
DARIA: [whispers] Thanks. I think.
Daria scans the sheet. On the schedule for Saturday
morning, Daria sees, “The Wonderful Miracle of Your Mysterious and Beautiful
Womanly Body” at 9 a.m., the first seminar of three for daughters only.
Following that is lunch, then at two-hour intervals are, “Am I Really Going to
Marry Someone Like My Dad, and If So, Should I Just End It All Now?” (1 p.m.)
and “Just How the Hell Am I Supposed to Cope Once I Realize That I’ve Turned
Into My Mother?” (3 p.m.).
DARIA: [tone of dread] Uh-oh.
Daria continues reading the schedule. Concluding on
Saturday evening is “Don’t Worry, Your Life Will Probably Be Just Fine Despite
Everything You Might Have Heard Here,” for both fathers and daughters, followed
by dinner and a dance. A Sunday morning breakfast concludes the weekend, with
an awards ceremony for an as-yet unidentified father-daughter team “to be
chosen during the weekend.”
DARIA: [murmurs to self] I’m sorry now that I didn’t
take up hard drinking in fourth grade, as I’d planned.
JAKE: [reading questionnaire, whispers] Daria?
DARIA: [whispers] Wait, I’ll get her. [pause] What?
JAKE: [whispers] A lot of these questions want to
know if I’ve ever asked you about your weight, or tried to make you diet, or
things like that. Was I supposed to do that?
DARIA: [whispers] No.
JAKE: Oh. [pause, whispers] Was that good or bad
that I didn’t?
DARIA: [whispers] Good. Fathers aren’t supposed to
do that.
JAKE: [relieved] Thank God. [fills in some answers,
whispers] This one. I think I know the names of every one of your friends.
[pause] That’s Jane, right?
DARIA: [whispers] Yes.
JAKE: [whispers] Okay. [fills in answer, peers at
next one, to self] Oh, this is good. I do make dinner as often as Helen. You’re
on a roll, Jakey!
Daria makes a face at the unpleasant memory of her
father’s many failed attempts to make dinner, but says nothing.
JAKE: [whispers] Oh, and the next one’s good, too. I
do tell you stories about my youth. [frowns, voice getting louder] All the
miserable, rotten things that my no-good jerk of a father did to me, sending me
off to military school at the age of—
SEVERAL PEOPLE NEARBY: [to Jake] Shhh!
JAKE: [winces] Oops! [looks at questionnaire,
recovers, whispers to Daria] Do you and I share any physical or athletic
activities together?
DARIA: [whispers] Television.
JAKE: [whispers] Yeah, that’s right. [writes this
down] Do you or did you ever talk with your daughter about menst—[stops
instantly, turns bright red with embarrassment]
DARIA: [pause, deadpan] Menstruation?
Jake looks mortified and begins to sweat.
DARIA: [whispers] You bought me that book on it. Put
down yes.
Jake does so, still looking mortally embarrassed. He
reads the next question silently—but when he does, he looks horrified beyond
words. The question is: “Do you ever view pornographic materials?” Daria
notices her father’s silence and glances over at his questionnaire.
DARIA: [loud whisper] Put no. Those videos that Mom
gets for the two of you don’t count.
JAKE: [squeaks] Eeep!
Too ashamed to continue, Jake hides his face behind his questionnaire. Daria looks toward the front of the room—and smiles.
12. INT: ABOUT THIS TIME, QUINN’S BEDROOM, MORGENDORFFER HOME
Fully dressed now in her usual outfit, Quinn lies
face down on her made-up bed, kicking her legs slowly in the air. She appears
to be waiting for someone to speak on her phone. Her upper body is propped up
on her elbows. An open sack of barbecue-flavored fat-free chips rests on the
floor beside her bed. Several open books on interior decorating lie on the bed
next to her, with a large pad of graph paper and three pencils. Her room
otherwise looks as it does in The Daria Diaries, with all her stuffed
animals on her bed pillows, stacked up as if part of a circus human-pyramid
act.
QUINN: [to phone, now animated] Oh, hi! My name’s
Quinn Morgendorffer, and I want to get some ideas from your company about
renovating an upstairs bedroom. It’s my sister’s room—I mean, it is now, but
she’s going to college this fall, so then it’s free. Uh-huh. Yeah, I’ll miss
her, sort of, but what I wanted to do was, like, convert her bedroom into a
party room, so my friends and I can use it. We need to take down all the
padding on the walls, get the bars out of the windows, all that. What? No,
really. I’m not kidding. The family before us had some crazy person in there,
and she—my sister—she took the room as it was. Uh-huh. Yeah, that was pretty
crazy, too, but hey, she was happy, I guess. Uh-huh. Oh, I don’t know. It
doesn’t really matter if she does, because she’ll be gone. Why ask? Uh-huh. Oh,
my mom’s already thinking of things to do with it. She—
Quinn breaks off, rolling on her back to look up at
her bed’s canopy. Her free hand reaches down to her bare midriff and presses
lightly on her abdomen, just below her stomach. When she rolls on her back, she
comes to rest almost on the edge of her bed.
QUINN: [to phone] Excuse me, I missed that. What?
Oh, nothing, just a cramp. [short laugh] Yeah, probably. It’s gone now. What was
I saying? [removes hand from abdomen to play with her hair] Oh, my mom. Yeah,
my mom’s thinking about turning it into a guest bedroom, but that’s sooo common, you know? Like, I can’t come up with anything
better than that, right. I’d ask my friends, but they’re all off at some dumb
meeting. Uh-huh. Okay, what I need is, like, a list of things you can put into
a party room, all the good stuff. Yeah, like that. Exactly. Our TVs are so
small, they are just ridiculous.
Quinn’s free hand reaches down along the side of her
bed, searching for the sack of barbecue-flavored chips. Finding nothing, she
stretches harder in every direction to find it, scooting herself ever closer to
the edge of the bed.
QUINN: [to phone] What? You’re kidding! Oh, yeah!
That would be sooo cool! A kitchenette and wet bar!
No alcohol, of course, but we could—oh, no, it’s not that, but yeah, I am too
young, but it’s fattening, you know? Like I really need to bloat out like one
of those fish with the pointy things all over it. Yeah, exactly!
Not paying attention to anything but the phone,
Quinn makes a last effort to reach the chips, rolling halfway over toward the
edge of the bed—on which she already rests.
QUINN: [to phone] Like, I should ruin my perfect
body just for the sake of a—Waaaaahhh!
Quinn falls out of bed directly onto the sack of chips. The bed covering goes with her, dragging along all her books and papers and pencils, her pillows, all the stuffed animals, and the phone base and phone cord. The phone base makes a noise like cross between a bang and a ring when it hits her on the head, then hits the floor.
QUINN: [loudly] Ow! Damn it!
13. INT: AN HOUR LATER, WOMEN’S RESTROOM, LAWNDALE PLAZA HOTEL
Daria stands in a toilet stall, arranging her
clothing, ready to leave. Outside her stall, Brittany storms into the restroom,
her face red. She marches over to a sink and turns the faucet on, splashing
water in her face. Someone knocks loudly on the restroom door.
BRITTANY: [shouts] Go away, Kevin!
As Daria reaches for the lock on her stall door, she
hears the above and freezes in surprise. The door to the restroom opens quickly
and Kevin barrels in, also red-faced.
BRITTANY: Kevin, get out! This is the girl’s room!
People are peeing in here!
KEVIN: [oblivious] Babe, listen, you can’t be
serious about—
BRITTANY: [flings water at him from her sink] Get
out! I meant what I said! We’re through!
KEVIN: [shielding face] Brittany, baby, please! We
can’t end like this!
Daria groans softly, leaning against one wall of her restroom stall with her eyes closed. She’s trapped and knows it. Brittany stops flinging water at Kevin.
BRITTANY: Kevin, we not only can end like this, but
we can end like this! [pause] I mean, we just did end like this!
All you brought me down here for was to go up to your room and bang me on the
bed! You haven’t heard anything I’ve said all night! I’ve talked to you until
I’m as blue as Lawndale’s school colors, the blue part, but you don’t get it!
KEVIN: Damn it, Brittany, this just isn’t right!
BRITTANY: What’s not right? That you didn’t
graduate? That I did, and I’m out of this damn dumb-ass town come August? What
part of “You don’t get it” are you not getting? [pause] I think I said that
right.
KEVIN: [leans against a sink and wipes his face with
one hand] Okay, hold on. Wait. [sighs, swallows] Okay, I’m sorry. I—I just lost
it. I’m sorry I threw my soup. I’m sorry I jumped on the table. And I’m sorry
about that lady’s damn little dog.
BRITTANY: [glowers at Kevin] That was mean.
KEVIN: They’ll find him eventually. He was an ugly
little fur ball, but I’m sorry about it anyway. I’m sorry, okay?
BRITTANY: [wit’s end] Kevin, don’t you see at all
what I’ve been saying? Don’t you get it? Please tell me you get it.
Kevin is silent for several moments.
KEVIN: [tired voice] I get it. [softer voice] I get
it.
BRITTANY: Okay. [pause] What exactly do you get?
KEVIN: [low voice] We’re . . . over. We’re through.
BRITTANY: [nods in relief] You got it. Finally.
Kevin is silent again, but appears to be thinking
hard.
KEVIN: Well, I tell you what. I’m staying over
anyway. I can’t get a refund on the room, ‘cause it was a special deal, so I’ve
got it until Monday morning. May as well stick around and play with the
Nintendo. Refrigerator’s stocked, too. Nothing else to do.
BRITTANY: Okay. Well, I’m going home.
KEVIN: [quiet voice] I want to make it up to you.
BRITTANY: Make it up? How?
KEVIN: [hesitates] I want to show you I’m okay about
it. That it’s okay, everything’s all right.
BRITTANY: How?
KEVIN: [sighs] Please have dinner with me tomorrow
night. Here. That’s all I’m asking.
BRITTANY: [pause] All? Are you sure?
KEVIN: I swear, babe. Brittany, I mean—Brittany.
Sorry.
BRITTANY: [pause] Dinner, and that’s all. You’re not
going to lose it again, right?
KEVIN: I swear. I’ll be all right.
BRITTANY: [points finger at Kevin] Hands to
yourself, too. No grabbing my butt anymore when I try to sit down.
KEVIN: No. None of that. Just dinner.
BRITTANY: [pause, softer voice] Okay. I’ll have the
cheese pizza again. It was good. Diet soda, too, same as tonight. Maybe
dessert, if you don’t jump on the table.
KEVIN: Okay. Done. Promise.
BRITTANY: Okay. Now, get out. I have to pee.
KEVIN: [nods] Right. [leaves for the door] I’ll be
upstairs.
BRITTANY: I’m going home. [pause] See you tomorrow
night, then.
KEVIN: Okay. [leaves]
Brittany grips the sides of the sink with both hands
and leans on it, breathing heavily.
BRITTANY: [after a pause] Stupid jerk. I should’ve .
. . [voice dies away]
Brittany sniffs, washes her face off, dries off with
a paper towel, and walks into another stall, shutting the door. Relieved, Daria
swiftly leaves her own stall, washes her hands in seconds, and hurries out of
the restroom. She hesitates at the door in case she runs into Kevin outside, but
Kevin—thankfully—is nowhere to be seen.
14. INT: EARLY EVENING, DINING ROOM, LAWNDALE PLAZA
HOTEL
Daria and her father sit together at a table for two
with a lavish display of beautiful flowers on one side. The buffet line is in
the distance behind them. A large, decorative potted bush sits immediately
behind Daria’s chair, blocking her view of the table behind her. Jake has a
huge steak with fries, and Daria has an artichoke focaccia, something that
looks like an upscale pizza with colorful vegetables on it, plus a side order
of cheese fries. She cuts into her pizza as Jake cuts into his steak.
JAKE: [happily] Steak, by God! Good old American
steak! Give me a dead, bloody animal carcass on a plate with a barrel of
ketchup any day! How’s your pizza?
On the verge of putting a forkful of pizza in her
mouth, Daria winces and puts her food down again. She carefully avoids looking
at her father’s dinner as he empties a bottle of ketchup over everything on his
plate.
DARIA: [deadpan] Uh, I think I’ll just look at it
for a little longer and savor the moment.
JAKE: This is living, kiddo. I tell you, I remember
back when I was a kid, with that miserable, no-good, lousy father of mine
trying to make me eat broccoli, and—
DARIA: Dad? Dad, listen. [waits until Jake looks at
her] Dad, let’s not talk about Grandpa, okay? Please? [pause] This is our night
out. You. Me. Us.
JAKE: [blinks, surprised] Well, sure. Okay. [pause]
I was going to say—[glances anxiously at Daria]—that I used to have to eat all
these vegetables, and now I’m an adult and I don’t have to, and that’s great!
DARIA: Ah. Well, I don’t like some vegetables,
either, but they are good for you. You should eat them more often, especially
considering your heart condition.
Jake is about to dig into his fries, but he stops
dead when Daria says “heart condition.” Swallowing, he looks at his steak, then
puts down his fork and knife.
JAKE: I, uh, think I’ll just, um, look at my food
for a minute, too. Just a pause to reflect, of course. [coughs] You know, maybe
I should get a replacement. That steak’s sort of tough, really, and the fries
aren’t—
DARIA: [pushes her plate toward Jake] Try this. It’s
a focaccia, sort of like a pizza. Even the vegetables are tasty, and the cheese
is low fat—I asked.
JAKE: [hesitates, then picks up a fork and takes a
small bite of her dish] Oh. [brightens] Hey, that’s good! [looks around] Know
what? I’m gonna get one of those! Be right back!
Jake gets up and hurries back to the serving line.
Daria looks at his steak and fries, looks back at her father, then quietly
reaches over with her fork and eats most of his fries in a few seconds. She
puts the rest in with her cheese fries and mixes them up. A waiter comes by,
and Daria hands the ketchup-soaked steak to him to take away. As she hands off
the steak, Daria hears someone talking on a cell phone nearby, hidden by the
large potted bush behind her chair. The audience view shifts between Mack (on
the cell phone, walking behind Daria to stop by the bush) and Daria (at her
table, unseen).
MACK: [to cell phone] Are you sure? I just wanted to
see if she’d talk with me for a few minutes. . . . Oh. Oh. I didn’t . . . I
see. Yes, I’m sorry about that. I didn’t know. . . . So, she doesn’t want to .
. . oh, okay. No, that’s fine. I won’t call back. I’m sorry if I bothered you.
Yes. No, that’s all right. Okay. Good night, Mrs. Landon.
Mack slowly closes his cell phone and stands in
silence, still dazed from the unexpected turn of events. Daria, unseen, picks
at her pizza, losing her appetite. After a moment, Mack lifts his cell phone,
opens it, and thumbs a speed-dial number.
MACK: [tries to sound cheery, to phone] Hey, this is
Mack. Is Rick there? Yeah, sure, thanks. . . . Rick, ‘sup? Yeah, nothing here.
Listen, you want to get out for a while tonight? I’m down at the . . . oh.
[short, embarrassed laugh] Okay. . . . Oh. Um, well, maybe next weekend, then.
Sure. Hi to Sherry. Yeah. Later.
Mack shuts his cell phone and rubs his face,
depressed and alone. He raises the phone and speed-dials one more number.
MACK: [waiting for phone pickup] C’mon, Jimmy.
C’mon, pick it up. C’mon . . . [sighs, tries to sound cheery but fails] Yeah,
hi, Jim, this is Mack. When you get in, if you want to get out for a while
tonight, call me on my cell phone. I’m down at the Plaza Hotel. Nothing’s going
on, and maybe we can hang out for a while. It’s Friday, nothing to do here.
Call me. Thanks. Bye.
Mack shuts his phone and drops it into a pants
pockets. He slowly moves off, hands thrust into his pockets, head down.
Daria stares at her pizza. After a few moments, she
rouses herself and checks on her dad, who has gotten his own focaccia and is
returning to their table. Daria forces herself to start eating again. Beaming,
Jack starts to sit down, but he first looks around in confusion for his steak.
He shrugs and sits down anyway. They talk as they eat.
JAKE: Heh. First time I’ve ever given up a steak.
Must be getting old.
DARIA: Old in human years or dog years?
JAKE: Just old. Wait till you hit fifty. Everything hurts,
everything’s running down. Not like when I was a kid, sent away to military
school by that—[stops, glances anxiously at Daria]—um, where I had to do
pushups all day. Boy! I ached all over, but I was in good condition. At least I
had that. Best shape I was ever in.
DARIA: You should exercise more. Go power walking
with Mom.
JAKE: Huh? [makes awful face] Oh, that looks so
weird. People would drive up on the sidewalk to run over me if they saw me.
Don’t think I could keep up with Helen now, anyway.
DARIA: You need to do something to improve your
cardiovascular health.
JAKE: Cardio—[smiles]—you sound like my doctor.
[pause] You always were a smart kid. Always knew your own mind. Still do.
DARIA: [looks as if she doesn’t exactly agree with
that last statement] Mmm.
JAKE: [remembering] You were something. Reading the
newspaper and looking at my business books, and that time in sixth grade when
you helped me with the taxes. I couldn’t get that one part straight, about the
withholding, but you sorted it out for me just in time. [recalls something] Oh,
and your writing! That’s wonderful! I’ve always been proud of that.
DARIA: [looks up, mildly surprised] I thought that
reading my writing made you nervous.
JAKE: [increasingly uncomfortable] Oh, no . . . just
the parts about the, uh, tortures and vampires and things blowing up and,
uh—oh, what’s this? [points to a vegetable on his pizza]
DARIA: Artichoke.
JAKE: Ah, of course. Didn’t recognize it.
DARIA: Yes, they look different from French fries.
Jake nods, missing her gentle sarcasm. They eat
quietly for a few moments.
JAKE: [hesitant, nervous] Daria . . . do you think I
know you?
Daria is taken aback. This was clearly not a
question she imagined he would ask.
DARIA: Do you know me?
JAKE: Well, do you think I know you?
DARIA: Do I know if you know me, or do you know if I
know that you know me?
JAKE: [confused] Let’s start over again. Um . . .
DARIA: [slight frown] I’m not sure if you do.
JAKE: [pained] Oh. I was reading that questionnaire
and I got to thinking, there are times I know you, and times when, um, I’m not
so sure. Maybe it’s part of having a teenager. Everything’s changing, you’re
trying new things, nothing seems to go right, you want everyone to stay out of
your closet where you hide your Playboys. [hesitates] I guess . . . I don’t
want to be for you like my father was for me.
DARIA: [sighs] Dad, I think you’ve been spared that
one humiliation. [pause] Although there were a few moments this morning after
you woke me up that I—
JAKE: You think I know you, then?
DARIA: [pause as she thinks] Okay, why don’t you
tell me who I am, and we’ll see.
JAKE: You’re Daria!
DARIA: [deadpan] Very good. You get a cookie. I
meant, what kind of person I am.
JAKE: Oh. [sighs] Well, um . . . [long pause, half
smile] Heh. I was thinking about that box.
DARIA: Box? What—oh.
JAKE: The refrigerator box you hid in,
because—[looks embarrassed]—it brought back memories of your mother and I
having that fight when you were small, back in Highland.
DARIA: [getting tense] We’re not going to have an
instant replay of all that, are we?
JAKE: No, no. It’s just that, um, I was thinking
about that box earlier today, and it, um, reminded me of what kind of person
you are.
DARIA: [raises an eyebrow] I’m . . . the sort who
hides in boxes?
JAKE: [misses joke] Not necessarily. I was actually
thinking about what I saw in you, when you were little. [pause] Having you was
a big responsibility. It was hard sometimes.
DARIA: [irked] What, Quinn was easier?
JAKE: Quinn’s different. Easier in some ways. Your
intelligence made everything complicated. My God, your test scores. I told your
mother that we were the parents of Supergirl. You understood so many things,
you saw things others couldn’t see, and you had your own mind. If other kids
didn’t treat you right, you didn’t see any need to get along with them. You had
your principles. You knew right from wrong, except maybe where Quinn was
involved. [remembers something] Integrity. I happened to look that up earlier
today. You had integrity when you were six years old.
Startled, Daria stops eating and stares at her
father. Jake looks down at the table as he talks, remembering.
JAKE: The integrity part, I liked a lot. I loved you
because you stood up for yourself. You were the kind of kid I wished I’d been
when I was small. But it’s been hard for you, too. I had it hard when I was a
kid, but I gave in all the time. I couldn’t fight my dad. [raises hand to stop
Daria’s protest] No, it’s okay. I won’t go on about it, but it’s true. I
couldn’t fight him. I gave in. I didn’t have the willpower you have. I couldn’t
stand life being so hard all the time. [pause] I can’t imagine how much crap
you’ve put up with all these years, just to stay the kind of person you are
now. [smiles faintly] You’re stubborn, like your mother. Comes in handy. Wins
arguments, gets your way, but . . . it’s hard.
Jake puts his elbows on the table, hands in front of
his face wringing together slowly.
JAKE: When I realized that you, at age six, knew
exactly what you were doing, that you had the determination to not fit in, to
be yourself, I knew then you were going to be just like you are now. I admired
and loved you for it. I still do. It worries me that you never bend, but when I
think about it . . . it cheers me up. It gets me through my day, knowing that
you did me one better.
Daria looks stunned. She obviously never expected
this.
JAKE: I wish you were happier, though. Quinn’s
basically happy. Nothing much fazes her. You’re so different, the two of you.
DARIA: [looks down, low voice] Misery chick.
JAKE: What?
DARIA: [depressed and touchy] Nothing.
JAKE: I think it comes with the territory.
DARIA: [looks up, angry] What are you talking about?
JAKE: [tolerant smile] Did you think it was going to
be easy to be you? To stick with your principles when so many other people
don’t?
DARIA: I . . . [frowns]
JAKE: You’re smarter than anyone else in our entire
family, your mother’s side or mine. You see things no one else does. You know
when people are lying. Jane said tha—[coughs,
realizes he said something he didn’t want to]
DARIA: [surprised] Jane said that?
JAKE: [gestures, acting casual] Sure. I talk to her
sometimes, you know. Not much, but once in a while, when she’s around.
[quickly] But it’s true, I think. You do know when people aren’t honest with
you.
Daria says nothing, looking at her father
reflectively.
JAKE: I’m . . . I’m not always honest when I should
be. I learned to hide a lot of stuff when I was a kid. My father and all that.
I shouldn’t do it anymore, but old habits . . . anyway, I’m sorry when I’m not
honest with you. [smiles] And you’re not always . . . well, you are honest, but
your sense of humor is sort of, um . . .
DARIA: [touchy] Sarcastic? Scornful? Mocking?
JAKE: Mmm—no, I’d say ironic.
DARIA: Is that the marketing talking, or you?
JAKE: Me. Just me. I can’t always tell when you’re
having fun, messing with my head. I get too tense, don’t take time to think
things out. Comes with being an adult. [grimaces]
Daria stares at her father, her expression
unreadable.
DARIA: [slowly] Do you think I’m ever going to be
happy?
JAKE: [pause to consider this] I don’t think that’s
so important.
DARIA: [blinks, then leans forward] Why?
JAKE: [soft voice] All I care about is that you stay
true to you. Sometimes it’s not the goal. It’s how you get there. Happy, sad,
doesn’t matter. It’s how you get there.
DARIA: [stares at Jake, amazed] How is it that we
never have talks like this at home?
JAKE: [pause, slowly] Um, my fault, I think. Get distracted.
[looks sad] I’m sorry about that. I wish we had done more together. It’s too
easy for me to lose track of things. Wish I’d done better.
Silence falls again. Soon, Jake picks up his fork.
JAKE: [coughs] This is pretty good stuff, this . . .
whatever you called it, the pizza. You were right. Better for me than the
steak. [softly] Damn it. [smiles anxiously at Daria]
Daria raises her glasses, rubs at her eyes, then
picks at her pizza.
DARIA: [voice rough] Focaccia. [pause] It’s a little
cold now.
JAKE: [taking a bite] Still pretty good.
They eat quietly and listen to the music in the
background.
DARIA: [clears throat, gestures at ceiling] Mozart.
That’s Mozart. Eine Kleine
Nachtmusik. That’s the name of the music we’re
hearing.
JAKE: Ah. I can’t tell those old piano guys apart.
They all sound alike, sometimes. [pauses, readying self to ask the big
question, fake nonchalance] Um, I wanted to ask you something, a little thing.
[pause] Uh, what were you up to on, uh, Thursday night? When you were out?
DARIA: Oh. I was out with Jane. She was shooting a
video for a project.
JAKE: [startled, stares at Daria] A video? Like, a
movie?
DARIA: Yeah. It was weird, but fun. We shot it in a
cemetery. Jane had me dress up in black robes, do some stuff.
JAKE: [the light dawning] Oh, then you were making a
movie, and—
DARIA: It’s for her college admissions, to BFAC.
Boston Fine Arts College, I mean. She’s trying to get them to let her in this
fall instead of waiting for the start of the spring semester. She thinks the
video might sway someone. It might work. Beats me.
It is Jake’s turn to look amazed. After a moment, he
starts to laugh, shaking his head.
JAKE: That Quinn!
DARIA: [looks up] What?
JAKE: [smiling to himself, waves it off] Nothing.
Forget it. Just you and me.
Daria nods, but something else is clearly on her
mind.
DARIA: Dad, it’s my turn to ask you one little
thing.
JAKE: Sure.
DARIA: Why did you really want me to come to this
seminar with you? I mean, what sparked this?
JAKE: [hesitates, nervous] Well, with you going away
this fall, I was already starting to miss you, and I got kind of anxious about
it, and then I, uh, saw this article in the paper this morning about the
seminar, and I thought, um, well, you’re going off and we haven’t really, you
know, um—[drops the pretense]—oh, all right. You want honesty. [chuckles to
himself, embarrassed] I thought I was saving you from signing a pact with the
Devil.
Daria freezes, a forkful of her food halfway to her
open mouth. Her gaze swivels slowly until she stares at her father with a
thunderstruck expression.
JAKE: [shakes head, still smiling] Boy, was I way
off. Too much work stress. [goes back to cutting pizza] I was a dumb old dad.
The look of astonishment on Daria’s face can hardly
be described.
DARIA: [faintly] You thought what?
JAKE: Oh, it was silly. I thought you were out in that cemetery Thursday night doing some kind of demon worship. [puts forkful of food in mouth, shakes head in amusement]
DARIA: [drops her fork and knife] You saw me
there?
JAKE: Hmm? Me? Oh, no. Quinn did.
DARIA: Quinn. [pause, then the light dawns over her
face] Oooooohhh, Quinn saw me. [further realization
sets in] Oooooohhh-kaaaaaaaay.
JAKE: [chews in an animated way] Yeah. [swallows]
Your mother and I would never have believed all that stuff she said about you
killing little animals for Satan, but she had the photographs. Kind of threw me
to see you with that skeleton hand. [chuckles to self] It was fake, right?
Thought so. Ha! Pretty funny, looking back at it now.
DARIA: [flat voice] Photographs. Yes, very funny.
[pause] I was with Jane at the cemetery.
JAKE: Yeah, you told me. Was she doing something
like The Night of the Living Dead, that kind of thing? I always wanted
to make a horror movie when I was a kid. Getting into movies could be a great
career for you. [frowns] As long as you can keep writing while you’re making
the movies, of course. And if you can keep your integrity, too. You know,
Hollywood’s not the best place to—
DARIA: [tense voice] Did Quinn’s photos show Jane
with me?
JAKE: [shakes head, missing her tone] Nope. None of
them did. Maybe Quinn couldn’t see her. Quinn was out shooting landscaping
pictures for her friends, something like that. Must have spotted you and gotten
the wrong idea. [cuts into his pizza]
DARIA: [dangerous tone in her voice] Jane was just a
few feet away from me with a video camera.
JAKE: Hmmm. [shrugs] You can ask Quinn about it when
you get home. Probably just a big mistake. Came out well, though. [looks at
Daria and smiles warmly] Daria, I’m really glad I’m here with you. I wouldn’t
miss this weekend for the world.
Daria looks at Jake, and her face softens. She
smiles for real, though it’s a small smile.
DARIA: Thanks, Dad. [pause, looks down, very softly]
I love you.
JAKE: [stares at Daria, clearly can’t believe he
heard that, soft voice] I—I love you, too, kiddo.
Jake goes on eating, though his face quickly gets
red and his eyes tear up. He dabs at his eyes with his napkin, pretending to
wipe his mouth, then goes on with his meal, smiling in a goofy way, his eyes
puffy and red.
Daria, however, is lost in thought. Her gaze drifts
off into space. Her smile is gone.
DARIA: [softly, to self] I should make up a special
dish for Quinn when I get home. [pause, very soft voice] Something that I can
serve cold.
Jake nods absently, concentrating on his pizza with
a happy look.
JAKE: Great music. Mozart, you say?
15. INT: ABOUT THIS TIME, KITCHEN, MORGENDORFFER
HOME
The kitchen windows are dark. Quinn sits at the kitchen
table with a meal she’s made for herself. A CD player and television set make
noise in the living room, and most of the house lights appear to be on as well.
In a trash can in the kitchen can be seen a number of large, empty potato-chip
bags (regular flavor, barbecue, hot and spicy, sour cream and onion.). All of
them are labeled “Fat Free!” or “No Fat!” At the table, Quinn picks up a note
from her mother: Quinn, I will be home at 10, don’t wait dinner on me, love
you, Mom. Quinn shrugs and contently eats her meal, bobbing her head to the
CD player’s boy-band music. Her plate contains a lot of potato chips.
While she eats, Quinn suddenly gets a strange look
on her face. She drops one hand to her stomach and presses into her abdomen
slightly, wincing as she does. She’s having abdominal cramps. The cramps fade
in a few moments, and she goes back to her dinner, though eating slowly now.
A few moments later, Quinn picks up the nearly empty
bag of honey mustard-flavored potato chips on the table beside her, and she
starts to read it out of boredom. She scans the front, then flips the bag over
in her hand and reads the back. She holds the bag close to her face, as the
print is so small. While she reads, she winces again, gritting her teeth. Her
free hand goes to her abdomen once more, holding it.
Suddenly, Quinn frowns at the bag. She holds the bag
right up to her eyes and squints at the tiny print, reading it aloud.
QUINN: [voice rising in horror] “Warning: Olestra
may cause abdominal cramping, diarrhea, and loose—” Eeeewwwwwwww!!!
Quinn abruptly doubles over, in great distress.
She’s clearly in agony.
QUINN: [gasping] Oh, shit!
Quinn manages to get out of her chair and stagger
out of the kitchen. Even over the TV set and CD player, the slam of the bathroom
door moments later can be heard, followed a few moments later by:
QUINN: [VO] EEEEEEEEEEEWWWWWWWWWWWWWWWWW!!!!!!!!!!!!
16. INT: LATER THAT NIGHT, CORRIDOR FROM DINING AREA TO BACK PARKING LOT, LAWNDALE PLAZA HOTEL
Daria and Jake have finished dinner and are
exploring the lobby around the dining room. Jake looks to one side as they pass
the entrance to a small bar in the hotel. He stops short.
JAKE: [pointing] Hey, a couple of clients of mine
are there! Edgar and Ray! Wow, what are the chances of that?
DARIA: [tolerantly pats Jake on the back] Go have
some fun, big guy.
JAKE: [hesitates] Is that okay with you? I mean, if
I go have a beer or—
DARIA: [parental tone] Go for it. Be back in the
room by midnight, though. I don’t want to have to run around looking for you.
JAKE: [puppy-like excitement] Sure thing! Thanks,
kiddo!
DARIA: [smiles] No problem, Dad.
Jake rushes into the bar, waving a hand at two guys
in business suits sitting near the back.
DARIA: [soft voice] Parents. What gets into them?
Daria then sees a sign with an arrow pointing
further down the hall: Video Arcade Room. She reaches up and tugs on one
pocket on her jacket, which makes a jingling noise from the change within it.
Her smile broadens, and she sets off in that direction.
17. INT: MOMENTS LATER, VIDEO ARCADE ROOM, LAWNDALE PLAZA HOTEL
The hotel’s videogames room appears deserted; the
windows to the outside reveal it is nighttime. However, someone is present and
playing a game in a corner of the room, hidden by the other machines. The
person sounds like he or she is chewing gum with an open mouth.
Visible through the room’s glass walls, Daria
wanders up to the door, pushing it open to enter from the corridor. She glances
toward the rear of the room where the gum-chewing gamer is playing, then
shrugs, unconcerned. She looks around and eyes one machine in particular
(“Nuclear Ninja Nightmare”), then drops two quarters in it, starting play with
an expressionless face. In the game, a first-person shooter, she “holds” an oversized,
futuristic Gatling gun. The game starts with her appearing to stand in front of
a wooden door, as shown on the video monitor. Suddenly, the door seems to
become real, and—
18. ### DARIA’S DAYDREAM ###
INT: QUINN’S BEDROOM, MORGENDORFFER HOME
The door to Quinn’s bedroom is kicked open so hard that it is torn from its hinges, falling into the room with a tremendous crash. Quinn, on her bed and talking on the telephone, looks up in shock. Carrying a gigantic, futuristic Gatling gun under her right arm and bracing it with her left hand, Daria steps into the doorway.
QUINN: [to phone in normal voice] Sandi, can I put
you on hold? Thanks. [drops phone, shrieks in terror] Daria!
DARIA: [pumping a charging mechanism on the gun with
her left hand, like pumping a shotgun] Bad sisters check in, but they don’t
check out.
QUINN: [screaming/pleading] It was a joke! I didn’t
mean it! I ate a Twinkie, and I don’t know what came over me!
DARIA: [raises the Gatling gun] Tell it to Elvis.
Daria opens fire, the Gatling gun spitting flame and
bullets from its many barrels in a fantastic crescendo of ear-shattering
sound—but Angel Daria suddenly appears, standing in front of (and blocking most
of) the scene of Daria’s violent revenge, which now looking like it’s taking
place on a videogame screen behind the angel.
ANGEL DARIA: [waving arms, shrieking at viewer
(Daria)] No! Stop it! You can’t do this, Daria!
Devil Daria walks on from one side and gives Angel
Daria a shove.
DEVIL DARIA: Why not?
ANGEL DARIA: [off guard] Why? Because . . . um . . .
wait, give me a minute. I’ll think of a reason. Uh—
DEVIL DARIA: So, Quinn wanted Dad and Mom to think
you were into devil worship, eh? [thoroughly wicked grin] This is way too easy.
ANGEL DARIA: [recovering, holding up an index
finger] Okay, first—if you want to go on to college, you can’t break any more
than two or three laws, none of them a felony.
DEVIL DARIA: Screw the law. Nuke her till she glows,
then find her in the dark and nuke her again.
ANGEL DARIA: [holds up another finger] Two, you have
to consider the possibility that there’s an afterlife and a final judgment.
DEVIL DARIA: [disdainfully] For Quinn? Judgment
Day’s here. What comes after that is her problem.
ANGEL DARIA: [another finger up] Okay, three: You might
have to share a cell in prison with an insane axe murderess for the rest of
your life.
DEVIL DARIA: Better that than sharing this planet
with Quinn. Maybe the axe murderess will have some funny stories. Rhonda sure
does.
ANGEL DARIA: [another finger] Four: You won’t be
allowed to take any of your books to prison with you!
DEVIL DARIA: [hesitates, considering this, then
stamps her foot] Damn it!
ANGEL DARIA: [equally unhappy] It sucks, I know.
DEVIL DARIA: [grumbles] You could still put blue dye
in her body lotion, or shave her head while she’s asleep, or set her bed on
fire. [grimaces] When she’s not in it, I mean.
ANGEL DARIA: [brightens, relieved] There you go!
That’s the spirit!
19. INT: MOMENTS LATER, VIDEO ARCADE ROOM, LAWNDALE PLAZA HOTEL
About this point, the other gamer in the room stops
playing and sighs loudly. While Daria plays (minus her spiritual advisors),
soft footsteps are heard off-screen.
ANDREA: [VO] Do you have some extra quarters for a
fist full of—
Andrea, chewing gum and in her usual Goth clothing,
walks around the side of the video game Daria is playing. Completely surprised,
Andrea and Daria stare at each other for a few seconds. Andrea holds two dollar
bills in one hand (with the fishnet glove), and a perfect black rose in the
other. Daria lets her game run out but doesn’t notice.
ANDREA: —Darias? [tucks gum in her cheek]
DARIA: [recovering] Um, yeah, I’ve got a bunch of
change. No problem. [reaches in her pocket]
ANDREA: [also recovering] Thanks. [holds bills out to
Daria, low voice] You here for that conference, the daughter thing?
DARIA: [nods, counts out eight quarters, they trade
money] Yeah. Are you . . . here for that, too?
ANDREA: No. My dad’s out of town. [hesitates] I’m .
. . here for something else.
DARIA: [looks at the black rose] That’s beautiful.
ANDREA: [looks at her rose] Yeah. It . . .
Two seconds pass. Andrea makes a decision.
ANDREA: [soft voice] Charles gave it to me.
DARIA: [nods, half expected this] As in, Charles
Ruttheimer the Third.
ANDREA: [tense] Yeah. [hesitates] I thought you were
going to call him Up—
DARIA: [quickly, shakes head] No.
ANDREA: [relieved, looks at rose] You must think I’m
really weird.
DARIA: You haven’t seen my life yet.
ANDREA: [faint smile, looks at Daria] I . . . owe
you an apology, you and Jane. That time you were over at PayDay,
I wasn’t having the best day ever.
DARIA: [shrugs] It’s forgotten. If I worked retail,
I’d be on death row by now.
ANDREA: The work’s not so bad. A little boring,
maybe. The money’s okay.
DARIA: [looks around] Is uh—[stops herself from
saying “Upchuck”]—Charles around?
ANDREA: No. He’s . . . [looks at rose, takes a deep
breath] He’s back in our room. Asleep. [pause] We’re staying over for the
weekend.
DARIA: [absorbs this, soft voice] I won’t tell
anyone.
ANDREA: [relieved] Thanks. My parents would . . .
[shakes head, shrug] I wouldn’t care if Jane knew. She’s okay. I know how you
two are.
DARIA: [pause, impulsively asks] Are you happy?
Daria looks very surprised as the words leave her
mouth, as if she cannot believe she asked that question.
ANDREA: [gives Daria a strange look] Am I happy?
[nods, looks down at rose] You want to hear something really crazy? Yeah, I am.
He’s so . . . [smiles] He makes me laugh. He’s so wild, and he can be so funny.
And he treats me like I’m a queen or a goddess or something. No one ever—
Andrea breaks off and lifts the rose to her nose,
sniffing it. When she looks at Daria again, her eyes are very bright.
ANDREA: I can’t believe it. This is all so crazy.
He’s so nice to me. I never expected that . . . [voice fades out]
DARIA: Uh . . . go with it, then.
ANDREA: Yeah. I will. [pause] We are.
DARIA: It’s okay.
ANDREA: [looks at the quarters in her hand, puts
them in a pocket] I’m going back up. I just needed to get out a little.
DARIA: I’ll be around all weekend, too, with my dad.
ANDREA: [nods, smiling] See you around, then.
DARIA: Sure.
Andrea leaves the game room, sniffing her black
rose. Daria watches her go with a stunned expression.
DARIA: [low voice] I wonder if this is one of the
signs of the Apocalypse.
* * *
Part Four: Misery Chic
(a.k.a.: Goth Like Me, or,
The Voyage of the Andrea-Daria)
20. INT: EARLY MORNING, UPSTAIRS HALLWAY OUTSIDE QUINN AND DARIA’S BATHROOM, MORGENDORFFER HOME
We look at the (closed) bathroom door for a few
moments. The sound of gentle snoring comes from behind the door. Nothing stirs
otherwise.
HELEN: [VO, downstairs] Quinn? Where are you? Quinn?
We now hear footsteps coming up the stairs, as well
as the gentle snoring. After a moment, Helen Morgendorffer appears. She’s
apparently been up for a while. She is dressed in her nightgown and wears fuzzy
slippers on her feet.
HELEN: [walks past bathroom door, heading for
Quinn’s bedroom] Quinn? You left food out last night on the kitchen table. I
had to throw it out. Quinn? Where are you?
QUINN: [VO, in bathroom, very sleepy] Mom?
HELEN: [reappears, stops in front of bathroom door]
Quinn? Are you in there?
QUINN: [VO, in bathroom, very sleepy] Yeah.
HELEN: You know you left the TV and your CD player
on, and I turned them off when I got in last night. I’m sorry I was late. I got
in at midnight. The meeting went on and on.
QUINN: [VO, in bathroom, very sleepy] Wah time zit?
HELEN: How long have you been in there?
QUINN: [VO, in bathroom, sleepy] Wah
time zit now?
HELEN: Six-thirty in the morning.
QUINN: [VO, in bathroom, less sleepy] Uh . . . six .
. . I was in the bathroom downstairs for, uh, ‘bout two hours, so that plus
this, uh, oh, uh, I think ‘bout ten hours and twenty minutes, something like—
HELEN: [pause, startled, shouts] You’ve been in
there ten hours?
HELEN: [still shouting] You’ve been in there all
night? Are you sick?
QUINN: [VO, in bathroom, very cross] Muuuh-ooom,
don’t yell! I can’t leave! When I don’t have to go, I have to shower, and then
I have to go again, and then I have to shower, and I’m stuck here, okay?
HELEN: [firmly] Okay, Quinn, let me in there.
QUINN: [VO, in bathroom] What? Mom, you don’t want
to do that! No way!
HELEN: Quinn Morgendorffer, I said open the door and
let me in!
QUINN: [VO, in bathroom, panicking] No! Mom, stay
out!
HELEN: Quinn, stop that. If you’re sick, I want to
come in there, right now.
QUINN: [VO, in bathroom] Muuuh-ooom, go away!
HELEN: [firmly] That’s enough, young lady!
Helen reaches in a pocket of her nightgown and pulls out a paperclip, which she bends out of shape into a lockpicking tool.
HELEN: [working on knob lock] I’m coming in there,
like any good mother would, and we’ll get to the bottom of this.
QUINN: [VO, in bathroom] Nooo!!!
The lock pops open. Helen opens the door—and almost
instantly backs out again, waving one hand wildly in front of her face with the
other hand covering her mouth and nose.
HELEN: [coughing] Oh . . . Quinn!
QUINN: [VO, scream] Muuuh-ooom!!!
Helen reaches into the bathroom once more, eyes shut
and holding her breath, and turns on the ceiling fan. She shuts the door and
quickly leaves, heading for the stairs down to the first floor.
QUINN: [VO, in bathroom] Damn it, Mom!
HELEN: [VO, going downstairs, coughing hard] I’ll
get . . . some air . . . air freshener . . . or something!
QUINN: [VO, in bathroom] Mom? You still out there?
[pause] Mom, can you get me something to read?
21. INT: ABOUT 8:15 A.M., JANE’S ROOM, LANE HOME
Jane sits cross-legged on the floor of her room,
looking down at a small book. A portable phone handset is pressed between her
right shoulder and ear. She points to a passage in the book with one finger,
reading it. Behind her, Trent, Jesse, Nick, and Max (all the members of the
Mystik Spiral band) are crowded around Jane’s computer on her desk. The monitor
is turned away from the viewer, but it is visible to the sleepy-eyed band
members. Sitting at the computer desk, pecking at the keys and frowning a lot,
is Artie, the alien-obsessed pizza guy. He wears the outfit of a Pizza Forest
employee.
JANE: [to phone] I dunno. The Book of Revelation is
so hard to figure out. Upchuck could be a plague, or he could be one of the
beasts. It still looks suspicious. I should pick a religion soon.
DARIA: [VO, on phone] Is that your Bible?
JANE: [lets book fall shut] No, it was Summer’s. She
dated some born-again guy in high school. He dumped her for a biker chick and
went to Vegas.
DARIA: [VO, on phone] I promised Andrea we’d keep
this news about . . . Charles . . . just between you and me.
JANE: No problem here. I think some people saw them
at Jodie’s party, but I won’t add to the problem. [turns around to look at
crowd at her computer] My room’s as crowded as the bridge of the U.S.S.
Enterprise, but it’s an emergency. I had to call in a computer expert. Um, I
think he’s a computer expert. Anyway, he and Trent and the guys are trying to
help me recover that stupid video file.
DARIA: [VO, on phone] The one you shot of me? What
happened?
JANE: Oh, I renamed it last night and now I can’t
find it. I don’t have any copies, and I dumped the original movie. That was
stupid. Wait a sec. [holds handset aside but uncovered, calls to Artie] Any
luck?
ARTIE: [frown deepens] I’m getting an error message
here, but it doesn’t make any sense. This computer’s not as advanced as the one
I use at home to track alien abductions. When did you last run an error scan on
the hard drive?
JANE: [blank look] Run what?
ARTIE: [sighs] Never mind. [taps keys, shakes head
slowly] I don’t get this. Okay, let’s look at the directory here. [taps keys,
pause, everyone crowds in closer to read the screen]
TRENT: [pointing to monitor screen] Would that be
it?
ARTIE: [to Jane] Did you name the file “goth daria asterisk ay vee eye”?
JANE: [face brightens] Yeah! That’s it! Thanks! [to
phone] Sorry. They found the file.
ARTIE: I don’t think you can use asterisks when you
name files. Maybe that’s why you lost it.
TRENT: [to Artie] You gonna put a dot there instead
of the little star?
JANE: [shrugs, continues talking to Daria] Well,
keep me posted on that. I’m afraid I don’t have a lot of hope for the future of
the situation you describe, if you get my drift.
22. INT: MOMENTS LATER, DARIA’S BEDROOM, LAWNDALE PLAZA HOTEL
Daria sits on her hotel bed, wearing a long green
nightshirt with a picture of a bowler-hat-wearing businessman with a green
apple for a face (from a René Margritte
painting). Her hair is mussed, but her glasses are on. The nice but bland room
décor is typical of upscale hotels. In the background, the oversized TV in her
room shows an episode of “Sick, Sad World” (volume turned down) that appears to
be making a connection between President Richard Nixon, the Martian death
machines from the 1953 movie, The War of the Worlds, and the cartoon
character Spongebob Squarepants.
DARIA: I know. I’m going to run into Upchuck sometime
today, and he’s going to hit on me like he does every time he’s seen me before,
like he does with other girl in the world, and then—
JANE: [VO, on phone] —you’re going to hit on him.
DARIA: He’ll be lucky if they can find organ donors
fast enough.
JANE: [VO, on phone] You go, girl. Make me proud. If
you think about it, leave a little piece for me to step on.
DARIA: If I have to do hard time, please bring some
of my books when you visit. And bring Quinn’s head, too. Wait, never mind—I’ll
take care of that myself.
JANE: [VO, on phone] Why? What happened now?
DARIA: Quinn was watching us when you took that
video Thursday evening. She took some pictures of her own, and she showed them
to Mom and Dad and told them that I was in league with Satan. I must have
looked the part. That’s why Dad decided to take me to this seminar for the
weekend, to save me from eternal damnation.
23. INT: MOMENTS LATER, JANE’S ROOM, LANE HOME
Same scene as earlier. Artie is typing very fast on
the keyboard. The Mystik Spiral band members watch, intrigued.
JANE: [astonished look on her face] Oh, then that’s
why . . . forget it. Never mind.
DARIA: [VO, on phone] I know. Dad called you to find
out what I was like these days.
JANE: Well, yeah, but don’t get it wrong. He really
sounded like he cared about you.
DARIA: [VO, on phone] I know. He does. That’s okay.
JANE: But this does explain why your dad thought you
were into demon worship and animal sacrifice.
Artie and the Mystik Spiral band members look up
from the computer monitor, staring at Jane after this last remark. They look at
each other with puzzled expressions, then shrug and go back to looking at the
monitor.
24. INT: MOMENTS LATER, DARIA’S BEDROOM, LAWNDALE PLAZA HOTEL
On the TV in the background, a black-and-white still
photo is shown that appears to be of President Nixon shaking hands with an
alien that looks remarkably like Spongebob Squarepants. The volume is still
down.
DARIA: [through clenched teeth] Yessss,
only now I’m thinking of another kind of sacrifice. Perhaps a close family
member. I can’t name names over an unscrambled phone line, you understand.
25. INT: MOMENTS LATER, JANE’S ROOM, LANE HOME
The guys at the computer are silent, intently
watching something on the monitor. They ignore Jane.
JANE: Whatever you do, first make sure that you set
aside all the books you want me to bring on visitation day, and any extra
underwear. What kind of food do they serve in prison?
TRENT: [pointing to monitor] What’s it doing?
ARTIE: It’s supposed to be running the file as a . .
. [voice dies, eyes bug out at monitor] Whoa.
All the guys watching the monitor look startled.
Their mouths fall open.
TRENT: [staring at monitor, whispers] Ho-lee shit.
ARTIE: [hitting Control-Alt-Delete keys very fast,
holding them down] Abort!
JANE: [turns around, apprehensive, to phone] Daria,
hold on.
ARTIE: [banging C-A-D keys again and again] Abort,
abort, abort!
Jane jumps up from the floor and runs to the
computer, pushing her way in to see the screen. She holds the phone handset at
her chest, but she doesn’t cover the mouthpiece.
JANE: [panicked] What the hell is that? [to Artie]
What did you do?
ARTIE: [still banging keys] Malfunction in the hard
drive!
TRENT: [in awe] Is that a virus? [recoils] Holy
shit! Look—
JESSE: [staring wide-eyed at monitor] Oh, my
God—it’s full of stars!
JANE: [shouts] What’s it doing to my file?
Everyone stares at the monitor screen (which is
doing something new), but they back up slightly.
NICK: [first to recover, high and loud] Terminate,
dudes!
TRENT: [shouts] Is this online? Are you online?
ARTIE: [bangs keys one last time] Negative! Abort
system not responding!
JANE: [more panicked, hitting C-A-D keys—and more]
Jesus, stop it!
JESSE: [backing away from the computer in fear] Oh,
man, that’s just wrong!
TRENT: [to Max, who is closest to the power outlets]
The plug! Pull the plug!
JANE: [near shriek] Something’s burning! I smell it!
ARTIE: [repeatedly hitting power button on computer]
Controls not responding!
JANE: [shriek] Shut it down!
Blue flames burst from both the central processing
unit and the back of the monitor. Everyone leaps away from the computer in
fright.
ARTIE, JESSE, NICK, MAX AT THE SAME TIME: [chaotic yells, scrambling away] Fire! It’s on fire! Mayday! Mayday! Hull breech! Abandon ship!
TRENT: [to Max] Pull the goddamn plug!
JANE: [enraged scream] My file! You miserable son
of a bitch computer, I’m going to—
At this moment, Max simultaneously pulls out both
the plug to the computer and the phone jack to the portable phone base.
26. INT: MOMENTS LATER, DARIA’S BEDROOM, LAWNDALE
PLAZA HOTEL
On the TV in the background, a grainy home movie
shows President Nixon boarding a gigantic Martian death machine on the White
House lawn, immediately after his resignation from office in 1974.
DARIA: [eyes wide, small voice] Hello? Jane? Hello?
Enterprise, come in, over.
After a moment, the phone handset clicks and a
buzzing dial tone comes on. Daria slowly hangs up the phone and stares sadly
into space.
DARIA: Poor Enterprise. I guess they shouldn’t have
boldly gone there.
27. INT: ABOUT 8:40 A.M., DINING ROOM, LAWNDALE
PLAZA HOTEL
Daria and Jake sit at another table in the hotel
dining room, having a fairly normal breakfast. Around them are other
father-daughter groups. Most of the daughters are quite young and appear
annoyed at having to get up so early on a Saturday. Jake is looking over the
schedule of events as he eats.
JAKE: Should be an interesting day. You’ve got . . .
[turns red] . . . a class at nine—
DARIA: [deadpan] On the alleged miracle of my
womanly body.
JAKE: [coughs, embarrassed] And I’ve a seminar on
why I’m here!
DARIA: You’ve forgotten already?
JAKE: [puts schedule aside] Ha! No, of course not.
We had that . . . misunderstanding about . . . you know.
DARIA: [deadpan] Dad, trust me on this one point. I
would never bring Satanism into our home. I want to keep my religious life and
family life separate.
JAKE: [relieved] Great, that’s what I—[does double
take, gasps]—Daria!
DARIA: [stares at him, annoyed] Daaad.
JAKE: [pause, then chuckles anxiously] Oh, right!
Ha, ha! Always the kidder! I love that about you! [chuckle ends in nervous
cough]
DARIA: Look, when Mom was showing me how to drive a
year ago, I almost ran over a dog. He was okay, but I felt horrible about it.
No matter what you think is going on with me, I would never hurt anyone. Ever.
JAKE: That’s great!
DARIA: Knowingly.
JAKE: Wonderful.
DARIA: [becoming reflective] If they didn’t really
deserve it.
JAKE: [looking anxious] Good.
DARIA: And if there were a reasonable chance I’d be
caught.
JAKE: [very anxious, points to his plate] Say,
kiddo, want to try this breakfast burrito? It’s got low-fat cheese, low-fat
bacon, low-fat eggs, low-fat—
DARIA: And the victim wasn’t on my short list of
targets of opportunity.
JAKE: [extremely anxious] Maybe I should get another
one. [gets up from chair]
DARIA: And I wasn’t going to splatter my outfit with
his—
Daria stops. Jake has run off.
DARIA: [glum, to self] I shouldn’t have done that.
He didn’t deserve it. I’m a bitch. And for once I’m sorry about it. [pause] I’m
glad no one heard me say that.
Jake reappears, holding an extra plate with a fresh
“breakfast burrito.”
JAKE: [forced cheeriness] Here you go, kiddo! Try
this! You’ll like it!
DARIA: Thanks, Dad. [pause] Um, sorry about being a
little too open there.
JAKE: Ha, ha! No problem-o. We all make mistakes.
DARIA: [nods, tries burrito, shrugs] There was
something else I wanted to ask you. [sees anxious look on Jake’s face] Not
about hurting anyone, I mean.
JAKE: [relieved] Oh! Sure, go ahead and shoot!
DARIA: Yesterday morning, I was looking for a
library book that was due before six last night. It was Needful Things,
by Stephen Ki—Dad? Are you all right?
Jake chokes for a moment on a mouthful of his
burrito.
JAKE: [gasps] Fine! I’m fine!
DARIA: [pats Jake on the back] Okay, there you go.
All better.
JAKE: [clears throat, gets control of self, squeaky
voice] A library book?
DARIA: Yeah. Stephen King. I finished it, but it’s
gone missing, and now it’s overdue on my card. If you remember seeing it, let
me know so I can take it back.
JAKE: [waves a hand as if waving the problem away]
Sure, I’ll, uh, take care of it. If I see the book, that is. Not to worry,
kiddo.
DARIA: Okay. Thanks, Dad.
JAKE: Hey, anything for my Lawndale Princess!
DARIA: [groans, soft voice] There has to be a better
name for this seminar. Lawndale Hell Queens. Lawndale Badass Bitches. Lawndale—
JAKE: [quickly checks watch] Whoa! We’d best get
underway, kiddo! Those seminars won’t wait for us!
28. INT: 9:00 A.M., CORRIDOR OUTSIDE SEMINAR ROOMS,
LAWNDALE PLAZA HOTEL
Daria holds her schedule of events for the weekend,
looking from it to the room number of the nearest seminar room. Nodding (having
found the room where her first seminar is to be held), she walks to the open
doors of the room and looks inside. What she sees stops her dead. The room is
filled with adolescent, elementary-school-age girls, giggling and talking
nervously as they swing their feet from their chair seats. A smiling woman in a
pink dress with a microphone waits at the front of the room, checking her watch
and preparing to start her lecture. A huge poster on an oversized easel rests
beside the speaker, announcing the seminar as: “The Wonderful Miracle of Your
Mysterious and Beautiful Womanly Body.” A movie screen is set up behind the
speaker. Flowers in vases line the wall behind the speaker and movie screen.
SPEAKER (MISS ROSS): [holds up microphone] Are we
ready to begin? Good! My name is Miss Ross, and this morning we’re going to
talk about an extra-wonderful and exciting part of your body where miracles
take place! You know what it is? [no one answers] Yes, it’s your vagina!
Daria stares at the scene for one second longer,
then slowly folds up her schedule of events. Betraying no expression, she turns
and wanders off down the hall the way she came. She does not look back.
29. INT: ABOUT THIS TIME, INSIDE ANOTHER SEMINAR
ROOM, LAWNDALE PLAZA HOTEL
Jake Morgendorffer sits near the front of a room
filled with very bored or very annoyed fathers. The speaker—the cheerful,
bearded guy from the seminar introduction—checks his microphone and begins.
SPEAKER (BOB): Hello! Welcome to your first seminar
for fathers, which we call, “What the Hell Am I Doing Here, Anyway?” I’m Bob Bobinnelong, and we’re going to answer that question in
some detail. First, though, I want to hear from those of you in the audience.
What brought you here to this father-daughter weekend?
The men in the audience look uncomfortable. Finally,
one guy in the front row sighs.
FIRST FATHER (STACY ROWE’S DAD): My wife made me
come here.
Many men in the audience nod in grumpy agreement.
SPEAKER (BOB): Okay, how about someone else?
A brief pause, then:
SECOND FATHER: My daughter’s parole officer
recommended it.
SPEAKER (BOB): Good, good. Anyone else? Anyone have
any other reason for being here?
THIRD FATHER (TIFFANY BLUM-DECKLER’S DAD): Golf
course was closed.
SPEAKER (BOB): What course? Lawndale Country Club?
THIRD FATHER (TIFFANY BLUM-DECKLER’S DAD): Yeah.
SPEAKER (BOB): Wasn’t the Carter County course open?
THIRD SPEAKER (TIFFANY BLUM-DECKLER’S DAD): [sigh]
My wife’s there.
SPEAKER (BOB): [shakes head in sympathy] Tough
break. Anyone else?
Jake, shyly, raises his hand.
SPEAKER (BOB): [pointing to Jake] You, sir?
JAKE: [looks embarrassed and self-conscious] Well,
the whole thing started for me when I thought my daughter was into animal
sacrifice and Satan worship after reading a Stephen King book, so I signed us
up to save her immortal soul. [chuckles]
One can hear a molecule drop in the silence that
follows this announcement. Everyone stares at Jake with looks ranging from
nervous disbelief to pure horror.
JAKE: [shakes head, still smiling to himself] After
all that, it turned out she went to the graveyard wearing black robes and
holding with those human arm bones for something entirely different. [laughs]
Just call me stupid.
The shocked silence grows deeper
SPEAKER (BOB): [visibly shaken] You, uh, you, uh,
you’re the, your daughter is the—
JAKE: Daria Morgendorffer. Brown hair, glasses,
green jacket.
FOURTH FATHER (TOM GRIFFIN): [behind him] Quinn’s
sister?
JAKE: Yep. [sighs happily] Great kids. They love
their mischief, but they’re both great.
Silence for a few seconds more.
SPEAKER (BOB): [unable to tear eyes from Jake] Uh,
okay, we’ll, uh, get back to that a little later. Uh, I was, uh, going to talk
a little bit about, uh, why we’re here. [looks around the room, anxiously] Does
anyone else know why we’re here? I think that was my question. Was that my
question, or was it something else?
30. INT: MID-MORNING, UPSTAIRS HALLWAY OUTSIDE QUINN AND DARIA’S BATHROOM, MORGENDORFFER HOME
We look at the (closed) door to the bathroom, with
boy-band music playing on the other side from a boom box, almost drowning out
the sound of the ceiling fan. The sound of footsteps coming upstairs is now
heard, with Helen’s voice growing louder, talking on her cell phone.
HELEN: [VO, on stairs, angry, to phone] Okay, get me
your supervisor, then. I want to talk with someone about your damn potato
chips!
Helen appears and walks over to the bathroom door.
She wears a jogging sweatshirt and sweat pants, with fuzzy slippers still on
her feet. She has her cell phone in her right hand, and about a dozen
girl-teen, fashion, and interior-design magazines in her left hand. As she
talks, she crouches down by the bathroom door and begins stuffing the
magazines, one at a time, under the bathroom door.
HELEN: [crouching, giving Quinn some magazines]
Hello? To whom am I speaking? This is Helen Morgendorffer, an attorney and a
very dissatisfied customer, and I have a bone to pick with you about your
potato chips, the fat-free ones with olestra. What makes you think you can get
away with putting the warning labels on your chip bags in such tiny print, and
on the back, no less? Shouldn’t the warning be on the front in red, inch-high,
boldfaced letters? And shouldn’t you have some kind of warning about how many
chips maximum you’re supposed to eat to avoid the, the, the, you know, the
goddamn aftereffects? [stops shoving magazines under the door] No, it’s not me.
My daughter ate five bags of your chips yesterday, and she’s locked herself in
her bathroom for almost half a day now! She’s been on the toilet so long that
her butt’s gone numb!
QUINN: [VO, in bathroom] Muuuh-ooom! Don’t tell them
that!
HELEN: [to phone] How long is this supposed to last?
[pause] Five bags. I told you that already. [pause, then shouts] What? How
long? [pause] You’re kidding me!
QUINN: [VO, in bathroom] How long?
HELEN: [enraged, to phone] Has anyone ever sued you
before about this?
QUINN: [VO, in bathroom] Mom? What’d they say?
[boy-band music stops] How long?
HELEN: [enraged, to phone] The government? The government
said it was okay? What the hell do they know? What did you pay them to say
that?
QUINN: [VO, in bathroom] Muuuh-ooom! How long am I
going to be in here?
HELEN: [stands up, furious, to phone] Oh, really?
You don’t say! Well, buster, it’s my daughter, and I’m looking out for her, and
maybe I feel differently!
Helen stamps off, leaving most of the stack of
Quinn’s magazines outside her bathroom door. As Helen continues her argument by
cell phone, she heads downstairs.
QUINN: [VO, in bathroom] Come back! Muuuh-ooom!
Where are you going?
HELEN: [VO, going downstairs, to phone] You wait one
minute while I pull a few case files that you might not have heard of, seeing
as how you’ve been too busy swimming around in your gold-plated swimming pool
that your dirty olestra dollars have bought you, or maybe . . . [voice fades
out]
QUINN: [VO, in bathroom, really yells] Muuuh-ooom!
[pause, no response] Shit! [pause, deadpan] Oh, that was funny, Quinn. Right.
Good one.
After a few moments, the boy-band music is turned
back on at a lower volume, and we hear the sound of magazine pages rustling.
31. INT: ABOUT 9:20 A.M., SATURDAY MORNING, BOOK AND
GIFT SHOP, LAWNDALE PLAZA HOTEL
Cutting her seminars for the day, Daria browses a
gift shop in the Lawndale Plaza Hotel. Passing a display of personalized coffee
mugs stacked on a series of shelves, she pauses before the mugs labeled “Tom.”
After a moment, she reaches over and carefully turns the foremost mug around so
that the name faces away from her, and the blank side of the mug faces out. She
moves on, stopping occasionally before other personalized-item displays to hide
those items with Tom’s name, or otherwise adjust them so that the name cannot
be seen. Daria does this without any particular facial expression, as if it
were part of her regular job.
Reaching the paperback and magazine section of the
shop, she scans book covers until she spots a section devoted to paperback
copies of J. K. Rowling’s Harry Potter books. Daria stops before this section
and sighs, face impassive.
DARIA: [thinking aloud, whispers] Hurry up and write
than damn fifth book, okay? It’s been a year now, and it’s killing me. Jeez,
call me and I’ll write it. Half of one percent of the take, that’s all I ask.
Is that too much?
ANDREA: [VO, behind Daria] Sounds fair to me. You
actually read Harry Potter?
Daria turns, eyebrows raised. Andrea, looking much
as she did yesterday, walked into the shop while Daria was browsing. Andrea’s
t-shirt has “Doom” printed across the front in silvery Gothic letters,
advertising the computer game.
DARIA: [colors slightly] A secret vice. It’s like
popcorn for your brain. You doing okay?
ANDREA: Yeah. [low voice] Charles had to run some
errands for his dad. Called him on his cell phone this morning. [snorts gently,
face colors, looks down] Parents have no sense of timing. What’s up with you?
DARIA: Nothing. It was either this or go to a
seminar to discover the miracle of my vagina.
ANDREA: [shivers] Ugh. So . . . [hesitates] . . .
are you free for a while?
DARIA: More or less all day. I have a late seminar
and dinner with my dad this evening.
ANDREA: [still hesitant] Go for a walk? Can you
leave the hotel?
DARIA: Uh, sure. [looks around the store] Anywhere’s
fine with me.
ANDREA: Let’s get some air.
32. EXT: MOMENTS LATER, SIDEWALK OUTSIDE LAWNDALE PLAZA HOTEL
Daria and Andrea walk outside the hotel and stroll
down the street through one of Lawndale’s shopping districts. The weather is
pleasant and sunny.
DARIA: I think, in the two and a half years I’ve
been in Lawndale, you and I haven’t traded enough words to make up the
Gettysburg Address.
ANDREA: Yeah. [pause] I didn’t talk much for a long
time. People used to piss me off pretty bad. I had some troubles.
DARIA: I haven’t really tried to get you to talk,
either.
ANDREA: [hesitates] Until lately, I doubt it
would’ve done much good. To tell the truth, I was sort of afraid you would say
something to me. I dunno. I kinda looked forward to it, but I kinda dreaded it.
Mostly dreaded it.
Daria turns to look directly at Andrea as they walk.
ANDREA: [still hesitant] You’re perceptive, you
know. Sorry, I had to say that, but it’s true. You see stuff. I wasn’t too sure
I wanted to hear what you saw in me. I get enough of . . . never mind. Sorry.
DARIA: [shrugs] I wasn’t too sure I wanted to hear
what you saw in me, either. [pause] I liked your poem, though. The one you read
at the café, about the sack of rotting flesh, or something like that, in tenth
grade.
ANDREA: [smiles] Yeah. I liked that one. I wrote it
because I was so pissed off. Everyone seemed so fake to me, empty shells, meat
puppets. I wrote a lot of crap like that for a while.
DARIA: You did the little cartoons in the senior
yearbook, right?
ANDREA: Yeah. Ted DeWitt-Clinton was after me to do
them ever since he saw me scribbling in my notebook in some class. I’ve tried
doing comics, but most of what I do looks stupid. Grew out of it, I guess. Some
of it.
DARIA: I burned some of my poems and stories once.
They pissed me off, too.
ANDREA: [looks at Daria with a touch of
understanding] You gotta do that. Burn the deadwood.
DARIA: What haven’t you burned?
ANDREA: [looks away] Not much. I burned out last
year, burned myself out. I wasn’t interested in much. I’m still not.
They walk in silence for a bit.
ANDREA: So, where’s Tom these days?
DARIA: Dunno. We broke up. I broke us up.
ANDREA: Oh. Sorry.
DARIA: I’m not. It wasn’t there. Burn the deadwood.
ANDREA: [snorts, suppressing a laugh] Well, at least
you know something about me that almost no one else does. [struggles to hide
anxiety] You could milk a lot of cash out of me for that. My parents would blow
like Mount St. Helens if they knew about Charles.
DARIA: Wouldn’t they like him?
ANDREA: [pained look] It’s not that. It’s the sex thing.
They’d go nuclear. Maybe throw me out. [pause] Might not be so bad. It’s gonna
happen anyway, come August.
DARIA: Where are you going?
ANDREA: I wanted Southern Cal, but I got Denver.
Graphic arts. Not so bad, I guess. It’s supposed to be good there. You?
DARIA: Boston, Raft College. [pause] And Charles?
Andrea’s face works briefly, then she shrugs.
ANDREA: So, like, I hear you write a lot. What’ve
you been writing lately?
DARIA: Um . . . I’m trying some spy fiction.
ANDREA: Melody Powers. Loved your reading at the
café, too. That was good stuff. Better than anything of mine.
DARIA: You write stuff besides poetry?
ANDREA: [hesitates] Sort of. I try to draw now and
then. I like the comic form. It’s hard to come up with plots of my own. I throw
a lot of it out. Some, though, I . . . [voice fades out, shrugs again]
Daria gives Andrea a peculiar, thoughtful look.
ANDREA: What else have you written? Really. I want
to hear about it.
DARIA: Uh . . . [rubs her face] I, uh . . .
ANDREA: Erotica.
DARIA: No, not really.
ANDREA: Not really? [looks at Daria] How can it “not
really” be erotica?
DARIA: [shrugs, looks away] Forget it.
ANDREA: [looks at Daria closely, smiles hesitantly]
You’re turning red. You’re blocking. You’re writing something like erotica but
not erotica? Maybe the instruction booklets for condom packages?
DARIA: It’s not—I don’t do that.
ANDREA: [smile getting broader] You’re writing for
the CIA? How to make love to enemy agents?
DARIA: [groans] No.
ANDREA: Rap lyrics. You work with Snoop Doggie Dog.
DARIA: No.
ANDREA: Oh! I get it! You do political speeches. Are
you George Bush’s speechwriter, or Al Gore’s?
DARIA: [looks offended] Hey!
ANDREA: I’m going to keep guessing until you come
clean. You write for “The Simpsons”?
DARIA: [gives up] Okay, okay. All right. [pause, low
whisper] I write fanfic.
Andrea stops dead in the street, mouth open, staring
at Daria. Daria takes two more steps, then stops and looks back.
DARIA: What?
ANDREA: Oh, man.
DARIA: Hey, it’s not like I killed someone, okay?
ANDREA: [holds up both hands] Wait. Don’t tell me
what kind of fanfic you write, because I know you’re going to say, “Kirk-Spock”
or “Starsky and Hutch,” and I am going to scream and scream and scream.
DARIA: [incredulous look] Oh, jeez! No! Do I look
like I write slash fanfic?