Three Ways of Looking at a Tiffany Blum-Deckler
Text ©2010 The Angst Guy (theangstguy@yahoo.com)
Daria and associated
characters are ©2010 MTV Networks
Feedback (good, bad, indifferent,
just want to bother me, whatever) is appreciated. Please write to: theangstguy@yahoo.com
Synopsis: Just what is the deal with Tiffany Blum-Deckler,
anyway? Three suggestions from science-fiction movies follow.
Author’s Notes: Three short fanfics are included here, none
connected by time or plot to any other. These were written because it was so
difficult for me to get a fanfic handle on Tiffany Blum-Deckler as a potential
major character. I finally gave up and decided to just get weird. The stories
given are highly unlikely to exist within the Dariaverse, except in Daria and
Jane’s nightmares. However, unless you leave the box, you can only do so much
with what you’ve got—and for Tiffany, there’s... well, not much. So, the following
experiment, for a little fun.
These events are supposed to take place
during Daria and Jane’s last summer together in Lawndale, after the Daria TV movie, Is It College Yet? Only one such event is allowed per
alternate-history continuum. Otherwise, assume these are bad dreams, and Daria
and Jane should not have eaten pepperoni before they went to sleep.
This tale, like many of my sillier
stories, makes use of a free font called Franciscan for the titles. This
delightful, useful font can be easily acquired (free!) from Abstract Fonts and Urbanfonts.
Acknowledgements: Apologies are offered to Wallace Stevens for
the title, which is a pun on his famous poem, “Thirteen Ways of Looking at a
Blackbird.” Thanks to Martin Pollard, who pointed out that what I thought was
Jane’s sedan was actually Trent’s.
*
INT: Interior scene
EXT: Exterior scene
VO: Voice over (off screen)
1. The Accident
EXT: On
a summer afternoon, Daria and Jane stand together outside a convenience store
on the outskirts of Lawndale, leaning against Trent’s blue sedan, which Jane is
borrowing (as seen briefly near the end of the “Daria” fifth-season TV episode,
“Boxing Daria”). Each has a large soft drink, casual clothing (t-shirts and
shorts), and bored expression. Daria speaks with her usual deadpan voice.
DARIA: [swirling
drink] Not a lucky day.
JANE: Not unlucky for you. Your parents are just
repainting your room. I’m the one whose house has no power.
DARIA: [sips
drink] You really think it was Trent’s fault?
JANE: He knew we had the air conditioning on. He
didn’t have to bring Mystik Spiral over for practice and blow the fuse box out.
DARIA: When do you think he’ll... oh, never mind.
JANE: June of next year. December of this year if he
doesn’t fall asleep on the phone getting a repairman.
Daria raises her drink’s
straw to her mouth and looks across the road. On the far side of the highway
running past the convenience store is a twenty-foot drop-off, a cornfield
stretching away from the bottom to the horizon. Further down the road to the
left is an apple orchard and produce stand, where several cars are parked. A
slim teenager with short black hair, wearing designer jeans and a pale blue
designer t-shirt, is walking from the produce stand toward the convenience
store on the far side of the road. A small black purse is slung over her left
shoulder.
DARIA: Fashion Clubber at ten o’clock.
JANE: [looks
in that direction] She should cross the road. She doesn’t have much of a
path on that side.
DARIA: Why did the Fashion Clubber cross the road?
JANE: Um... to get the credit card on the other
side?
DARIA: Mmm, there’s gotta be a better answer than
that. Or maybe not.
JANE: Ah... [turns, distracted by
approaching road noise]... could it be...
Jane stops, watching an
approaching dump truck of large size traveling along the highway from right to
left. It moves at a high rate of speed. Tiffany has reached the side of the
road opposite the convenience store, clearly intending to cross when possible.
She, too, sees the approaching oversized dump truck and merely stands by the
roadside, watching it come. She then starts to step back from the road but
wobbles, obviously on a ledge above the drop-off. She regains her balance and
looks at the truck—almost on her—with a mild frown.
JANE: [lowers
drink] Tiffany’d better move.
DARIA: What? [turns, sees the truck]
JANE: [tense]
She’s too close to—
The
dump truck whizzes by Tiffany and flies on down the road toward the fruit
stand. Both Daria and Jane look back to the spot where Tiffany was. Except for
a curious puff of dust or smoke where she stood—gone as soon as it is
seen—Tiffany is no longer there.
The two girls stare at the
vacant spot on the road for half a second. Jane then flings her drink aside on
the blacktop parking lot and breaks into a sprint for the road. Daria, delayed
a moment longer by shock, drops her drink as well and runs after Jane.
JANE: [yelling
as she runs] Tiffany? Tiffany!
Jane, reaching the highway
first, sees no traffic coming from either left or right, and continues on
across the road. She reaches the other side and looks down over the edge of the
drop-off.
JANE: [looking
down, cries out] Aaaah! Tiffany!
Jane immediately begins to
climb down the rocky embankment. It is steep enough that she has to lean back
against the slope to keep from falling. At the time that Jane starts her way
down the slope, Daria reaches the edge of the embankment, too, and looks down,
her face pale and eyes huge. At the bottom of the slope, lying on a large patch
of grass next to the cornfield, is Tiffany. Her body
is sprawled out, chest down, where she either fell or was knocked down by the
passing truck. She stirs slightly and appears to be lying on one arm. No blood
is visible.
JANE: [yelling
while descending slope] Tiffany!
Daria runs about thirty feet
further down the road and starts down the slope there, where the slope is
easier for her to negotiate. Trying to move quickly, she reaches the bottom and
starts to run back to the spot where Jane is already kneeling by Tiffany’s
side. Something in the grass ahead of her causes Daria to pull up short. She
stops only five feet from the object.
The object is one of Tiffany’s
arms, severed just above the elbow. All the color drains from Daria’s face. She
rocks on her heels, about to either faint or throw up.
DARIA: [unsteady,
rough voice] Jane? [looks up, yells] Jane!
Jane, on her knees, is in
the process of pulling off her belt as fast as she can.
JANE: [yells]
She’s lost an arm!
DARIA: [shaky
voice] I know! It’s right here!
JANE: [yells]
Wrap it up in something, fast!
Jane turns back to Tiffany,
who is groggy and trying to push herself up from the ground
with her remaining (right) arm.
JANE: [to
Tiffany, in as calm a voice as she can muster] Lie still. Don’t get up.
You’re—you’re going to be all... all... what is... ? [gasps, stops in the act of putting a tourniquet
on stump of Tiffany’s left arm]
Daria looks down at the arm, then looks around for something to wrap it in. Seeing
nothing, she pulls off her own green t-shirt, revealing her bra underneath. She
swallows, takes a deep breath, and kneels on the ground next to the arm. With
trembling hands, she reaches for the arm and tries to pick it up, keeping the
severed end away from her. She lifts the arm from the ground—and broken wires
spill out of the severed end. Daria sees this and drops the arm in fright. She
moves around so she can see the severed end clearly, staring in astonishment.
Inside the severed end of
Tiffany’s arm, nestled within a layer of gray padding under the skin, is a mass
of electronic parts, tiny circuitry boards, and a large empty space in the
center where a bone or bar once was. Thin wire cables, broken off at their
ends, run out, as do insulated copper electrical wires
in many colors. After a pause, Daria puts her t-shirt back on and carefully
reaches for the arm again, which she picks up with infinite care. She then gets
to her feet, staring at it in wonder.
DARIA: It’s a prosthesis. A prosthetic arm.
Daria looks over at Jane,
who has a frightened look on her face. Jane is talking to Tiffany.
JANE: [weak
voice] Lie still, don’t get up. Don’t get up.
We’re going to get help.
TIFFANY: [groggy] Oooh, nooo.
JANE: Tiffany, it’s me, Jane.
TIFFANY: Oooh, Jaaane. [pause] It hit me.
JANE: [weak
voice] I know. You—you fell off the road.
TIFFANY: Why is... [tries to move left arm, groans] Oooh, nooo.
Daria walks up at this
point, carrying the artificial arm.
DARIA: [stunned,
to Jane] It’s a prosthetic arm. It’s not real. [looks at Tiffany] When did you ever get—
JANE: [looks
up, her face pale and sweaty, voice quivering] Daria—
Tiffany sudden rolls and
sits up on the grass. She looks down at her left arm, the remains of which hang
from her t-shirt sleeve. The most prominent item is a steel-colored, bonelike
rod projecting from the stump of her arm. The steel bone moves a bit,
apparently under Tiffany’s control. A few drops of yellowish fluid drip from
the end of the steel bone, which has a ball shape as if it went into a socket
joint at normal elbow level. No blood is visible at all.
TIFFANY: [anguished]
Oooh, nooo.
Tiffany looks up at Daria
and Jane. Though dirty, she does not seem to be in any pain, nor does she have
any other injuries. Jane pulls back from Tiffany, in deep shock.
TIFFANY: [depressed]
My arm was sooo expensive.
DARIA: But you can have this fixed! I don’t know
when you got it, but your insurance will probably—
JANE: [tense,
motioning Daria to silence] Daria, no—
DARIA: —cover it. [to Jane] What?
Tiffany gets up from the
ground using her right hand. Jane gets up as well, backing away from Tiffany.
JANE: [eyes
locked on Tiffany, fearful] It’s not a prosthesis.
DARIA: What? Sure it... [stops, staring at the upper part of Tiffany’s left arm]
Tiffany peels back her t-shirt, inspecting the end of her upper arm. It becomes
clear at that instant that Tiffany is not wearing a prosthetic arm. Her fingers
probe the edges of her injury, moving skin that now looks like torn plastic on
the edges, skin that covers the rest of her body.
JANE: [faint
voice] It’s her.
TIFFANY: [mournful
sigh] I got broooken agaaain. My daaad will be sooo mad at meee.
INT: In
the kitchen of the Morgendorffers’ home, Daria and Jane are raiding the
refrigerator for lunch. They’ve already set up a sack of chips, cheese dip,
plates, and other items on the table nearby.
JANE: What’s this in the back, under the blob in
aluminum foil?
DARIA: Jackpot. Dad forgot to finish off the chicken
wings.
JANE: I’m on it. [pulls paper carton out of frig, walks over to table with it] I feel
guilty about leaving Trent at home with the contents of our refrigerator. On
the other hand, he doesn’t use much energy when he’s asleep all day.
DARIA: When did he last go out for groceries?
JANE: [sampling
a wing] Uh, lessee, it was... spring break. Yeah. He ordered out for pizza.
Daria exits the
refrigerator, letting the door shut, with two plastic bowls. She puts them on
table and sits down, as does Jane. In the background, the sounds of footsteps
descending a stairway can be heard.
DARIA: Intruder alert.
Tiffany comes into the
kitchen, looking like her usual self. She’s left her purse upstairs. Daria and
Jane prepare their lunches while the following conversation goes on.
TIFFANY: Hiii. Sandi and Quinn sent me to ask if you
have any looow-fat carrots or celery.
DARIA: Hmmm, we have some deep-fried, extra-crispy
carrots, but they’re not low fat.
TIFFANY: Oooh. Buuummer. [turns to go]
DARIA: [sighs]
Wait, it’s coming back to me now. Yes, we do have some low-fat carrots. They’re
in the refrigerator. Help yourself.
TIFFANY: Oooh, goood. [pause, thinking] Oooh, and we need a spooon.
DARIA: A spoon? For the carrots?
TIFFANY: Nooo, for the yooogurt. Stacy brought
yooogurt.
JANE: [hands
Tiffany her own unused spoon] There is no spoon.
Tiffany takes the spoon, but
stares at Jane, distracted.
TIFFANY: Whaaat?
JANE: There is no spoon.
A pause. Tiffany holds the spoon, looking from Jane to Daria.
JANE: [lowers
head, groans] This is too cruel. [to Tiffany] That was in a movie. Did you
see The Matrix?
TIFFANY: [pause]
Was that a mooovie?
JANE: Yeah. People found out that everything they
thought was real, everything in the world, was actually going on inside of a
computer.
TIFFANY: [staring,
eyes bigger] They were inside a compuuuter?
JANE: Something like that.
DARIA: [glances
at Jane, shrugs] I’m up for a challenge. [to Tiffany] The Matrix said
that we all hooked up to a sort of giant, virtual-reality computer game, and
everything we think is happening, isn’t really happening. It’s all part of the
computer’s world. At one point in the movie, a kid proves this by holding up a
spoon and making it bend, just by thinking about it.
TIFFANY: [pause]
He bent a spooon? Were his parents, like, mad at him?
DARIA: No. They didn’t like that particular spoon.
JANE: The idea was that you could do anything once
you realized that whatever you heard, saw, or touched wasn’t real. Nothing was
real. The hero in the movie tried to make a spoon bend, but he couldn’t do it
until the kid said, “There is no spoon.” Once the hero remembered that nothing
is real, he could bend the spoon.
Tiffany frowns, trying valiantly to take all of this
information in.
DARIA: [points
to Tiffany’s spoon] You try it. Try to bend the
spoon.
TIFFANY: [frowns] I caaan’t. I’m not very strooong.
DARIA: No, just use your mind. Hold up the spoon and
make it bend, just by thinking about it.
A doubtful look on her face,
Tiffany raises the spoon and stares hard at it. Nothing happens. Daria and Jane
pick up chicken wings and watch while they eat, smiling a bit.
TIFFANY: It won’t wooork.
DARIA: Okay, now think to yourself, “There is no
spoon.”
TIFFANY: Whaaat?
DARIA: “There is no spoon.” Think that, then try it.
Tiffany nods, closes her
eyes, thinks, then looks at the spoon again. A second later, the spoon bends.
It curls completely around in a loop as she holds it, the handle stretching
like liquid metal. Daria and Jane freeze, their mouths full of chicken wings.
Both swallow after several seconds, their eyes bugging out.
TIFFANY: [awestruck]
Coool.
The spoon bends again,
straightening out, then turns into a red rose. Tiffany’s face lights up with
wonder and joy. The red rose changes to brilliant blue, then glows softly from
within. Daria and Jane turn white and drop the chicken wings they were holding.
JANE: [unnaturally
high voice] Oh, shiiiiiiiit.
The glowing blue rose
changes back into a spoon. Tiffany carefully puts it back on the table. She
looks around, then reaches for a knife. As soon as she
picks it up, the knife mutates, changing into a golden mirror, then a
jewel-encrusted silver comb, then a platinum-colored credit card.
TIFFANY: Oooh, this is sooo coool. It even works on
other kinds of tablewaaare. [looks up at Daria and
Jane, stares at them]
In less than a second, Daria
and Jane are out of their chairs and away from the table. They back away from
Tiffany in real terror.
DARIA: [high
voice, no deadpan] Be careful!
JANE: [panicking]
Don’t hurt us! We’re your friends! We like you! At
least we do now!
Tiffany blinks, then stares
hard at Daria and Jane, who fling up hands to shield their faces.
JANE: No!
DARIA: Don’t!
Daria and Jane slowly lower
their hands, staring at their fingers as if they’d changed before their
eyes—which is exactly what has happened. Both Daria and Jane have changed into
perfect copies of Tiffany.
DARIA: [stares at thin hands and arms] Oh, my God!!! [looks at Jane, screams] Aaaaaaaahhh!!!
JANE: [looks
at Daria, screams] Aaaaaaaahhh!!!
Make it stop!!!
Tiffany frowns at all the
screaming.
Suddenly, nothing exists
except for Tiffany. She stands alone in infinite white space, still holding the
platinum-colored credit card. She turns, looking everywhere. A dejected look
crosses her face.
TIFFANY: [mournful]
Oh, did I turn off the compuuuter? [sigh] My daaad will be sooo mad at meee.
EXT: Daria and Jane stand in
a crowd of tourists outside a new research laboratory in Lawndale. Daria holds
a flash camera.
JANE: [arms
crossed] I don’t know why I let myself be talked into this. I hate spiders.
DARIA: Just keep telling yourself, “They’re only
spiders. They’re not a neurotic Freudian projection of my fear of womanhood.”
That should do it.
JANE: How do you come up with this stuff?
DARIA: The Internet.
JANE: Now I wish I hadn’t beaten up my computer with
the baseball bat last month.
DARIA: I thought it caught fire.
JANE: It’s a long story.
A man with a bullhorn steps
out of the laboratory doors.
ANNOUNCER: Okay, the next thirty people for the
tour, please line up here.
Daria, Jane, and numerous
others get in line. Turning around in line, Daria sees Tiffany five places
behind her. Tiffany smiles vacantly, and Daria nods to
her, then turns to Jane.
DARIA: If you’re wondering what you’re doing here,
you can also wonder at why Tiffany is here, too.
JANE: You’re kidding. [looks back, waves, turns to Daria] You’re not kidding.
DARIA: That’s what I hate about this planet. It’s
too damn small.
JANE: You really think she’s here for the grand
opening of the Arachnid Genetic Engineering wing?
DARIA: Maybe we’ve misjudged her love of science.
JANE: Maybe she confused the opening of the new
laboratory with the opening of the Cashman’s WaifStyle outlet across the
street. That’s going on right now, too. Bet you twenty.
DARIA: [glares
at Jane] I’m not really as stupid as I look. [sigh] Well, she might find a nice
spider T-shirt in the gift shop.
INT: The
line suddenly moves, and everyone enters the laboratory. The crowd follows a
uniformed security guard, who takes them to a tall lady in a white smock,
holding a microphone.
SCIENTIST: Greetings, citizens of Lawndale! Welcome
to the opening of the only genetics laboratory in North America devoted to
studying unusual mutations found in our natural friends and helpers, the
spiders! As you can see here, some of the most interesting mutations we’ve
discovered are on display here in this glass case. You can take pictures of all
thirteen spiders, if you like! They’re worth a million dollars each. Aren’t
they cute?
DARIA: [focuses
camera on glass case, using viewfinder] Huh. That’s interesting.
JANE: You see a spider you like? Want to invite him
over?
DARIA: No. Of the thirteen little cases that are
supposed to have spiders in them, only twelve actually have spiders in them.
JANE: Maybe he’s the shy one.
DARIA: Or the one that can turn invisible.
JANE: Isn’t something about this situation sort of
familiar, in a way? Like, you’ve seen it somewhere before in a movie?
DARIA: That’s why I’m holding a camera.
TIFFANY: [walks
up to Daria and Jane] Hiii, Daaaria and Jaaane.
DARIA: Tiffany. Where are Quinn and the rest of the
Fashion Gestapo?
TIFFANY: I was going to ask yooou that. We were
supposed to meeet out front for the WaifStyle sale, but I don’t see them
aaanywhere. And why are all these buuugs here? Groooss.
DARIA: [peering
through viewfinder, taking pictures] Jane, I’m really glad I didn’t bet on
that one with you.
JANE: I’m really sorry you didn’t.
FIRST TERRORIST: All right, ladies and gentlemen,
look over here! Right here!
Everyone looks to the left.
A man wearing a long raincoat has pulled a pump-action shotgun from under his
coat and holds it to the head of a security guard. Several people cry out in
fear.
FIRST TERRORIST: Everyone do exactly as I say, and
no one gets hurt, not even Ole’ Chubby here. [grins at fearful overweight guard]
A second terrorist walks out
of the crowd, holding two machine pistols he’s pulled from his raincoat. He
turns as he walks toward the first terrorist, panning the crowd with the guns.
With many cries and screams, the tourists fall back from him. Children cry.
SECOND TERRORIST: Sit down on the floor! Sit down,
everyone! We’ve got a few pieces of equipment to pick up, and then we’re out of
here! Now, sit down, or you can lie down with some holes in you instead!
Of the fifty or so people in
the immediate area, every one of them sits down. Daria, Jane, and Tiffany all
sit down, their faces awash in fear and disbelief—except Tiffany, who merely
frowns. The first terrorist grabs some papers from the woman scientist, stuffs
them in his pockets, and picks up a heavy suitcase that another security guard
carried. His right hand holds his shotgun out, finger on the trigger.
DARIA: [low
voice] I was wondering why anyone would wear a raincoat when no rain was
forecast for the—
SECOND TERRORIST: [looks toward Daria, one gun aiming in her direction] And shut the hell up!
Cowed, Daria immediately
hunches down. As she does so, she accidentally bumps her camera’s shutter, and
the flash goes off.
SECOND TERRORIST: Hey! You! [aims both guns at Daria] What the hell are you doing?
DARIA: [frightened,
quickly puts camera down, hands to sides] Nothing! It was an accide—
SECOND TERRORIST: [walks over toward Daria, guns aimed at her] You
wanna be a hero? A dead hero?
Jane immediately scoots over
between Daria and the terrorist’s guns. She rises up on her knees, facing the
terrorist, blocking his line of sight to Daria. Concerned, Tiffany looks at
Daria and Jane from where she sits, immediately next to them.
JANE: [frightened,
but raises her hands, palms out, at the terrorist] Leave her alone! It was
an accident!
SECOND TERRORIST: Two dead heroes. [raises guns, aims at Jane’s face] Why not.
TIFFANY: [speaking
a little faster than usual, loudly and clearly] I have to go to the
bathroom, pleeease.
The second terrorist looks
at Tiffany, his fingers already tightening on the triggers of both his pistols.
Jane’s hands shake as she tries to block the gun muzzles with the palms of her
hands, still protecting Daria.
SECOND TERRORIST: [to Tiffany] What?
TIFFANY: The bathroom, you knooow? Can I pleeease go
to the bathroom? Nooow?
The second terrorist stares
at Tiffany as if she had three heads. Not another sound can be heard.
White-faced, Jane looks from the terrorist to Tiffany and back.
SECOND TERRORIST: Do you have any damn idea what
we’re doing here? And you still want to go to the goddamn bathroom?
TIFFANY: [nods]
Yes. Pleeease?
The second terrorist throws
a glance back at the first terrorist, who looks dumbfounded. Jane, still
holding her hands up in front of the two guns, trembles in terror, anticipating
the gunshots to come.
FIRST TERRORIST: Just shoot the little slut and
let’s go. We got what we came for.
SECOND TERRORIST: [looking back at Tiffany] No, you may not go to the bathroom. [aims one gun from Jane to Tiffany instead]
But now you don’t have to.
Daria lunges forward and
hits Jane from behind, knocking her to the floor and covering her with Daria’s
own body. The second terrorist pulls the triggers on both
guns, aiming for Jane (where she was a split second earlier) and
Tiffany. The ear-shattering sound of automatic gunfire explodes in the corridor
as both pistol barrels flash white fire. The bullets once
heading for Jane and Daria blast showers of plaster out of the wall behind.
Immediately in front of
Tiffany, however, is a strange whirling cloud of pale color. As soon as the
second terrorist stops firing, the cloud vanishes. In its place are both of
Tiffany’s naked arms, her fists clenched. A second later, she opens her fists
and turns her palms over, pouring a dozen bullets out of her hands. Tiffany
pulls a handkerchief from a pocket in her dress and wipes her hands off,
standing up.
TIFFANY: [to
the second terrorist, frowning] That was meeean.
SECOND TERRORIST: [stunned] What the hell... [raises both guns at her a second time]
Tiffany turns into a pale
blue blur that rushes at the second terrorist. In less than a second, the
second terrorist appears to be struck hundreds of times everywhere across his
face, arms, chest, abdomen, groin, and legs. Both his guns burst into fragments
that scatter in every direction. The terrorist then lifts off the floor and is
thrown backward twenty-five feet at high speed into a wall. He strikes the wall
so hard as to leave an impression of his entire outline in the plaster before
he falls face down on the marble floor. He doesn’t
move after that. Piled up on the floor, Daria and Jane stare at this, mouths
and eyes wide open. Tiffany reappears out of the blue blur in the air, standing
with an angry look on her face. Her stick-thin arms are at her sides, both
fists clenched. She isn’t even sweating, much less breathing heavily.
The first terrorist drops
his stolen suitcase and raises his shotgun at Tiffany. She turns in his
direction. Her eyes flash light. Two pencil-thin, blue-white beams of light
shoot from her eyes and strike the shotgun, heating it in a millisecond to over
a thousand degrees Fahrenheit. The shotgun turns yellow-white, parts of it exploding as it bursts into flame. The terrorist
screams and drops the molten weapon, his hands now smoldering masses of black
tissue. Tiffany turns into a pale blue blur again, reaching the first terrorist
in an eye blink. He doubles over,
the breath knocked completely out of him, then is flung backward into the wall
like the other terrorist. He bounces off the wall but is knocked back,
rebounding dozens more times like a racquetball video on fast-forward before
the blue blur in the air allows him to bounce off and collapse, boneless. The
smashed-in wall behind him is splattered in numerous places with red.
Tiffany reappears
out of the blue blur. She again pulls the handkerchief from her pocket and
wipes off her hands, frowning down at the motionless terrorist. For a few
seconds, there is absolute silence.
DARIA: [to
Jane, whispers] Marry me.
JANE: [whispers]
If you’ll marry me. Then let’s both marry her.
DARIA: [whispers]
Done. [gets off Jane’s back]
Spontaneous cheers and
shouts rise up from everyone in view as people get up, overjoyed at
deliverance. Tiffany turns and smiles vacantly at the crowd, putting her
handkerchief away. Looking self-conscious, she walks over to where Daria and
Jane are getting up from the floor, giving them a gentle hand.
DARIA: [unsteady
voice] He really should have let you go to the bathroom.
TIFFANY: [nods]
Yeah.
JANE: You must have had to go really bad.
TIFFANY: Nooo. I didn’t have to do thaaat. I wanted to change into my costume first.
DARIA: Costume. [smacks her forehead] D’oh!
TIFFANY: You knooow. [rolls eyes] I have this really coool costume—Sandi, Quinn, and Stacy
made it up for me—but these guys said I couldn’t go chaaange, so my secret
identity is all ruuuined, and—
DARIA: Uh, wait. Quinn and the others knew you could
do this?
TIFFANY: [sighs]
Well, suuure. That’s why they hang around me so much.
DARIA: [under
her breath] Damn her. [normal voice] Tiffany, are you married?
TIFFANY: [shakes head] Nooo.
JANE: Will you marry Daria and me after we get
married? And can I have the rights to do your official comic?
DARIA: [quickly]
And me your life story, all twenty volumes?
TIFFANY: [looks
at Daria and Jane, then nods agreeably] Oooh-kaaay. [frowns] But I don’t know if we
can live in my rooom. I have to ask my mooom.
DARIA: We’ll work something... [looks up, startled]
A red spider descends from
the ceiling on a web strand, right over Tiffany’s left
shoulder. Abruptly, the spider drops onto her bare skin. Before it can bite
her, Tiffany frowns and slaps the spider, smashing it flat. She pulls out her
handkerchief a third time to wipe her hands and shoulder off.
DARIA: [points
to unsightly spot on Tiffany’s shoulder] Um, I bet that was the lost mutant
spider, the one worth a million dollars.
TIFFANY: Oooh, nooo. It was? [mournful sigh] Oh, my daaad will be sooo mad at meee.
*
Author’s Notes II: “The Accident” is derived from elements in
the movie A.I. “The Spoon” was, of course, from The Matrix, and
“The Spider” was from the movie Spider-Man (the first one).
Original: 06/03/02, modified 01/31/03, 09/04/06, 10/01/06, 05/19/10
FINIS